When their Ukrainian grandmother is lost on a trans-Atlantic Flight, two sisters are swept into a quest across eastern Europe to find the woman who had always told more tales than truths. From Poland to Slovakia to Hungary and beyond, Larissa and Ira navigate the steps of Ukrainian folk dance, the cliff-side paths of Slovak Paradise National Park, and the stark realities of war, folktales, and feminism, all for the sake of chasing who they're starting to believe is a true Baba Yaga. Understanding their family's roots has never been more clear. The setting's mythic properties drift like ghosts in the humid air, hinting of the folktales the sisters whisper like codes of bravery. The nesting dolls they discover reveal how each woman becomes stronger when tucked one, within another, within another-forgetting lies and truths to seize upon history, love, and the familial traditions that have shaped them into who they are together. Author and professional editor Kris Spisak has been spotlighted in Writer's Digest and The Huffington Post for her work to helping other writers. Her previous non-fiction books include Get a Grip on Your Grammar: 250 Writing and Editing Reminders for the Curious or Confused, The Novel Editing Workbook, and The Family Story Workbook. Spisak's background and her own family experience in the Ukrainian diaspora add weight to her fiction debut.

"When darkness, fear, and instability inundate our daily lives, folktale figures like Baba Yaga speak to the dichotomy of our existence-the hope and the horror, the magic and the mundane. This book provides an in-depth look at the Baba Yaga mythos and history through Slavic folklore and is a comprehensive resource for anyone hoping to learn more about this ambiguous character"--

Baba Yaga is a well-known witch from the folklore tradition of Russia, Ukraine, and Belarus. A fascinating and colorful character, she resembles witches of other traditions but is in many ways unique. Living in the forest in a hut that stands and moves on chicken legs, she travels in a mortar with a pestle and sweeps away her tracks with a broom. In some tales she tries to harm the protagonist, while in others she is helpful. This book investigates the image and ambiguity of Baba Yaga in detail and considers the meanings she has for East Slavic culture. Providing a broad survey of folktales and other sources, it is the most thorough study of Baba Yaga yet published and will be of interest to students of anthropology, comparative literature, folklore, and Slavic and East European studies.

What happens when someone confirmed to be deceased shows up at your front door in perfect shape? As summer recess comes to a close in 1933, a seven-year-old girl is found almost entirely dismembered and lying on the ground in a forest of the Pacific Northwest. Her dress is in shreds, a leg is folded 90 degrees in the wrong direction, and her face is gone, leaving only a heap of slimy pulp. Before the child’s parents have a chance to navigate the devastation, however, someone shows up at their door one day, and they are unable to distinguish this person from the daughter they had just buried. In this modern, grimly twisted take on a fairytale from Slavic folklore, the world of Baba Yaga brims with the supernatural as a team of local investigators attempts to make sense of physical impossibilities, extravagant hallucinations, and the historical enigma of the Voynich manuscript. But once the mystery begins to reveal itself, the townspeople realize that they’ve disturbed a force deep in the forest that is so insidious and so frightening that its threat lingers beyond the final page.

A New York Review Books Original In 1908, deep in Siberia, it fell to earth. THEIR ICE. A young man on a scientific expedition found it. It spoke to his heart, and his heart named him Bro. Bro felt the Ice. Bro knew its purpose. To bring together the 23,000 blond, blue-eyed Brothers and Sisters of the Light who were scattered on earth. To wake their sleeping hearts. To return to the Light. To destroy this world. And secretly, throughout the twentieth century and up to our own day, the Children of the Light have pursued their beloved goal. Pulp fiction, science fiction, New Ageism, pornography, video-game mayhem, old-time Communist propaganda, and rampant commercial hype all collide, splinter, and splatter in Vladimir Sorokin’s virtuosic Ice Trilogy, a crazed joyride through modern times with the promise of a truly spectacular crash at the end. And the reader, as eager for the redemptive fix of a good story as the Children are for the Primordial Light, has no choice except to go along, caught up in a brilliant illusion from which only illusion escapes intact.

In everything we have to understand, poetry can help. Tony Hoagland, Harper's , April 2013 In Poem Central: Word Journeys with Readers and Writers , Shirley McPhillips helps us better understand the central role poetry can play in our personal lives and in the life of our classrooms. She introduces us to professional poets, teachers, and students----people of different ages and walks of life---who are actively engaged in reading and making poems. Their stories and their work show us the power of poems to illuminate the ordinary, to nurture, inspire and stand alongside us for the journey. Poem Central is divided into three main parts-;weaving poetry into our lives and our classrooms, reading poems, and writing poems. McPhillipshas structured the book in short sections that are easy to read and dip into. Each section has a specific focus, provides background knowledge, shows poets at work, highlights information on crafting, defines poetic terms, features finished work, includes classroom examples, and lists additional resources. In Poem Central -; a place where people and poems meet-;teachers and students will discover how to find their way into a poem, have conversations around poems, and learn fresh and exciting ways to make poems. Readers will enjoy the dozens of poems throughout the book that serve to instruct, to inspire, and to send us on unique word journeys of the mind and heart.

A collection of new and exclusive short stories inspired by the Baba Yaga. Featuring Gwendolyn Kiste, Stephanie M. Wytovich, Mercedes M. Yardley, Monique Snyman, Donna Lynch, Lisa Quigley, and R. J. Joseph, with an introduction by Christina Henry. Deep in the dark forest, in a cottage that spins on birds' legs behind a fence topped with human skulls, lives the Baba Yaga. A guardian of the water of life, she lives with her sisters and takes to the skies in a giant mortar and pestle, creating tempests as she goes. Those who come across the Baba Yaga may find help, or hindrance, or horror. She is wild, she is woman, she is witch— and these are her tales. Edited by Lindy Ryan, this collection brings together some of today' s leading voices of women-in-horror as they pay tribute to the Baba Yaga, and go Into the Forest. "Perfect for horror fans who can't get enough of folklore and fairy-tale retellings that veer in unexpected directions." — Booklist Starred Review "Fans of folklore retellings will find plenty to enjoy." — Publishers Weekly "The stories in Into the Forest collect the guts and bones of some of the world' s oldest witch tales and refashion them into something new, beautiful, and gruesome." — Foreword Reviews "A powerful literary reflection... Outstanding in its diversity and interpretations, Into the Forest is very highly recommended not just for horror collections, but for libraries strong in women's literature, as well as for reader's book groups who would study the legend and realities of the Baba Yaga folktale as it journeys into the heart and soul of women's experiences and psychology." — Midwest Book Review