As a transfer student to the Georgia O’Keeffe College for Arts and Subtle Dramatics, former sports star Charlie is struggling to find her classes, her dorm, and her place amongst a student body full of artists who seem to know exactly where they’re going. When the school’s barely-a-basketball-team unexpectedly attempts to recruit her, Charlie’s adamant that she’s left that life behind...until she’s won over by the charming team captain, Liv, and the ragtag crew she’s managed to assemble. And while Charlie may have left the cut-throat world of competitive basketball in the dust, sinking these hoops may be exactly what she needs to find the person she truly wants to be. From Carly Usdin, the writer behind the hit series Heavy Vinyl, and artist Noah Hayes (Wet Hot American Summer) comes an ensemble comedy series that understands that it’s the person you are off the court that matters most. Collects The Avant-Guards issues #1-4.

The Avant-Guards have been on a roll, but when they hit the end of their winning-streak, will these new friendships survive? As The Avant-Guards struggle to move forward, they’ll soon learn just what it means to truly be a team - on the court and, most importantly, off the court. The critically-acclaimed team of writer Carly Usdin (Heavy Vinyl) and artist Noah Hayes (Wet Hot American Summer) deliver the next chapter of the series where every shot counts when you take them with your friends. Collects issues #5-8.

Charlie is done with team sports. Nope. Not happening. Never again. But Liv and the rest of the Georgia O’Keefe College of Arts and Subtle Dramatics basketball team are determined to get Charlie to join them, and they’ve cooked up a ruse to woo her! For basketball. Nothing else.

With Rory in danger and Chris finally in on the crew's off-hour activities, they need a plan to get to her in time... and they find it in the most unexpected place!

Reeling from a crushing defeat at the hands of the Selfies, the Avant-Guards must rediscover their team spirit and remember what makes them love the game. It doesn’t help that a member of their team is horribly smitten with a Selfie player.

Annotation Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.

This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world.The principal focus is on the artists and movements of the last hundred years: the Age of the Avant-Garde that begins in the nineteenth century with Realism and Impressionism. Most of the major artists of this rich period, from Monet and Degas to Jackson Pollock and Claes Oldenburg, are discussed and often drastically revaluated. A brilliant introductory essay traces the rise and fall of the avant-garde as a historical phenomenon, and examines some of the cultural problems which the collapse of the avant-garde poses for the future of art. In addition, there are chapters on art critics, museums, the relation of avant-garde art to radical politics, and on the growth of photography as a fine art.