Contemporary debates on “mansplaining” foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. This book excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of “masculinity.” This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess’s role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi’s speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today’s world where female voices are still often undervalued.

This collection presents cross-disciplinary explorations of the tropes, themes and representational frameworks constellating around the figure of the Goddess in South Asian cinema. It critically approaches the Goddess theme in various genres of South Asian cinema, using analytical tools culled from gender studies, comparative cultural studies, and religious studies, as well as film semiotics. The films discussed here represent variegated thematizations of the Goddess across regions in South Asia, including Nepal, Bangladesh, Sri Lanka and various geo-cultural locations in India. As the volume highlights the regional and politico-cultural differences and commonalities in representational schemes between South Asian films of different genres through the Goddess motif, it will appeal to scholars of film studies, South Asian studies and comparative religion, and will hold a special appeal for those interested in Goddess cultures and theology.

This book seeks to explore the complex modes of interface between religion, atheism, and the Goddess in multicultural contexts. While atheism has often been seen as an interrogation of and a battle against God, the gender dimension of this discourse has not been sufficiently negotiated. Is the fight against God also a fight against the Goddess? Or is there something common between the ideological thrust of the battle against God the “Father” in atheism and the interrogation of the Divine Father in thealogy? Can the Goddess be seen as an entity radically different from the imperious transcendental that the atheists find embodied in God the Father? Or, can the Goddess be seen as “transcendental” as well as immanent, and hence subjected to the same atheist denial of transcendence to which God is subjected in non-theistic or anti-theistic arguments? With this volume, Anway Mukhopadhyay embarks on a difficult project of epistemologically, ideologically and even politically renegotiating and reorienting some of the fundamental issues involved in the discussions of and debates over atheism.

A cross-cultural study that explores and redefines what philosophy, philosophizing, and philosophers are through the lens of literature. The academic discipline of philosophy may tell us, too rigidly, what a philosopher is or should be; but fictional narration often upholds the core conundrums of humankind in which philosophy germinates. This collection of essays explores whether a study of 'philosophers' at a planetary scale, or at least on a broad cross-cultural spectrum, can decouple philosophy from its academic aspect and lend it a more inclusive domain. Contributors to this volume play with three conceptual poles, making them interact with each other and get modified through this interaction: 'fiction', 'narrative' and 'philosopher'. How do these three terms get semantically modified and broadened in scope when we speak of the figures of philosophers in imaginative writing? How do these terms assume different connotations in different cultural contexts, interacting with the multiplicity of not just 'thought', but also the media and tools of 'thought'? Do we always think only rationally? Or do we also think with and through emotively powerful images, symbols and tropes? In the end, Finding Philosophers in Global Fiction insists on the need to 'de-elitize' and democratize the concept of a 'philosopher' by reflecting on the possibility of seeing a philosopher as one who sees things clearly, from any vantage point.

This monograph, 'Plasti(e)cological Thinking: Working out an (Infra)structural Geoerotics,' seeks to put forward ‘plasti(e)cological thinking’ as an advanced and ‘new’ epistemic framework which can facilitate readers to think beyond the stratified planetarity that ends up breaking the earth down into territories and strata, blocs and codes, fragments and pieces, ‘sides’ and ‘besides.’ ‘Plasti(e)cological thinking’ is at once grounded in the logics of ‘deterritorialization’ and ‘rhizomatics’ thereby calling the structured and well-thought-out ways of looking into planetary phenomena into question and at times contingent upon the pervasive trajectories of ‘zoe-politics’ which enables it to cut across varied segmentarities on the ‘Plane of Consistency’. Divided into three chapters, this book draws on critical theory, continental thinking, and certain Indian eco-texts to put a spotlight on the nuanced operation of ‘plasti(e)cological thinking’. In a nutshell, this book stands wedded to the production of the ‘new’ and is a contribution to the domain of planetary thinking.

Focusing on complex entanglements of religion and gender from a diversity of perspectives, this book explores how women enact agencies in transcultural Hindu and Buddhist settings. The chapters draw on original, in-depth empirical research in various contexts in South Asian religious traditions. Today, in an increasing number of such contexts, women are able to undergo monastic and priestly education, receive ordination/initiation as nuns and priestesses, and are accepted as ascetic religious leaders. They are starting to establish new religious communities within conservative traditions, occupying religious leadership positions on par with men. This volume considers the historical background, contemporary trajectories, and potential impact of the emergence of these new and powerful female agencies in conservative South Asian religious traditions. It will be of particular interest to scholars of religion, women’s and gender studies, and South Asian studies.

How do you live a life of spiritual awakening as well as outer abundance, inner freedom as well as deep intimacy? How do you serve the world selflessly, yet passionately celebrate your life? The sages of Tantra have known for centuries that when you follow the path of Shakti—the sacred feminine principle personified by the goddesses of yoga—these gifts can manifest spontaneously. Yet most of us, women as well as men, have yet to experience the full potential of our inner feminine energies. When you know these powers for what they are, they heighten your capacity to open spiritually, love more deeply and fearlessly, create with greater mastery, and move through the world with skill and delight. In Awakening Shakti, you will learn how to recognize and invite: Kali, bringer of strength, fierce love, and untamed freedomLakshmi, who confers prosperity and beautySaraswati, for clarity of communication and intuitionRadha, who carries the divine energy of spiritual longingBhuvaneshvari, who creates the space for sacred transformationParvati, to awaken creativity and the capacity to love With a wealth of meditations, visualizations, mantras, teachings, and beautifully told stories, Awakening Shakti provides a practical guide for activating the currents of the divine feminine in every aspect of your life. “Sally Kempton's new book is a treasure that brings myth, meditation, and everyday revelation together in a way that will allow every woman to embody the divine feminine in her life. Sally enlivens the full spectrum of the goddess—from independent protector, to lover, to dynamic and powerful creatrix. I highly recommend this soon-to-be classic!” —Shiva Rea, yogini “Sally Kempton has given us a mythic manual for a new kind of feminism—a feminism of the soul. And this is a good thing, because humanity needs feminine power now as both a healing tonic and a source of reinvention.” —Elizabeth Lesser, cofounder of the Omega Institute, author of Broken Open: How Difficult Times Can Help Us Grow