Seminar paper from the year 2015 in the subject Cultural Studies - Miscellaneous, grade: 3,0, University of Rostock, language: English, abstract: In the late 1980s and the 1990s, the time Stephen King was working on his serial novels and movie ‘The Green Mile’, the newspapers reported of many execution errors comparable to Kemmler’s execution. Stephen King was presumably concerned by these horrible incidents so that these reports may have influenced his writing. The thought that this movie was made to enlighten and arouse the public, raises the question in which way these three executions in the movie resemble to authentic executions that took place over the years in the United States of America. To respond to this question this paper will give a summary of the movie ‘The Green Mile’ followed by descriptions of the three execution scenes. In the last part the three executions will be compared to real executions that took place in the USA and are discussed with regard to how accurate they are to reality. The thought of executing a person through electricity has its origin in the late 19th century. During that time technology developed very fast and people were fascinated by electricity. However, installing electrical items like street lights caused many fatal accidents. The number of deaths increased rapidly in the 1880s. Apparently the victims died within seconds without physical pain and visible marks of external forces on the bodies. Soon people thought that power generators might be useful for executions. David Hill, Governor of New York, engaged a three-member committee to proof if electricity is suitable for executions. After three years of research the result was that electrocutions caused a painless and instant death. It was seen as the most human and practical method to enforce the death penalty. The first electric chair was built in New York in 1888 (DPIC). Only two years later William Kemmler was the first person who got executed by electrocution in the US for murdering his common-law wife Tillie Ziegler. Even though the tests were successful, Kemmler’s electrocution in the Auburn Prison in New York occurred not to be as painless as it was supposed to be. His death on the electric chair took several minutes. Even though there were oppositions and execution errors in the years later, the electric chair had been established in many other states. Altogether 26 states of the United States of America adopted the method of electrocution.

The #1 New York Times bestselling dramatic serial novel and inspiration for the Oscar-nominated film of the same name starring Tom Hanks, the “literary event” (Entertainment Weekly) of The Green Mile is now available in its entirety. When The Green Mile first appeared, serialized as one volume per month, Stephen King’s The Green Mile was an unprecedented publishing triumph: all six volumes ended up on the New York Times bestseller list—simultaneously—and delighted millions of fans the world over. Welcome to Cold Mountain Penitentiary, home to the Depression-worn men of E Block. Convicted killers all, each awaits his turn to walk the Green Mile, keeping a date with “Old Sparky,” Cold Mountain’s electric chair. Prison guard Paul Edgecombe has seen his share of oddities in his years working the Mile. But he’s never seen anyone like John Coffey, a man with the body of a giant and the mind of a child, condemned for a crime terrifying in its violence and shocking in its depravity. In this place of ultimate retribution, Edgecombe is about to discover the terrible, wondrous truth about Coffey, a truth that will challenge his most cherished beliefs...and yours.

Lights, Camera, Execution!: Cinematic Portrayals of Capital Punishment fills a prominent void in the existing film studies and death penalty literature. Each chapter focuses on a particular cinematic portrayal of the death penalty in the United States. Some of the analyzed films are well-known Hollywood blockbusters, such as Dead Man Walking (1995); others are more obscure, such as the made-for-television movie Murder in Coweta County (1983). By contrasting different portrayals where appropriate and identifying themes common to many of the studied films – such as the concept of dignity and the role of race (and racial discrimination) – the volume strengthens the reader’s ability to engage in comparative analysis of topics, stories, and cinematic techniques.Written by three professors with extensive experience teaching, and writing about the death penalty, film studies, and criminal justice, Lights, Camera, Execution! is deliberately designed for both classroom use and general readership.

Is capital punishment just? Does it deter people from murder? What is the risk that we will execute innocent people? These are the usual questions at the heart of the increasingly heated debate about capital punishment in America. In this bold and impassioned book, Austin Sarat seeks to change the terms of that debate. Capital punishment must be stopped, Sarat argues, because it undermines our democratic society. Sarat unflinchingly exposes us to the realities of state killing. He examines its foundations in ideas about revenge and retribution. He takes us inside the courtroom of a capital trial, interviews jurors and lawyers who make decisions about life and death, and assesses the arguments swirling around Timothy McVeigh and his trial for the bombing in Oklahoma City. Aided by a series of unsettling color photographs, he traces Americans' evolving quest for new methods of execution, and explores the place of capital punishment in popular culture by examining such films as Dead Man Walking, The Last Dance, and The Green Mile. Sarat argues that state executions, once used by monarchs as symbolic displays of power, gained acceptance among Americans as a sign of the people's sovereignty. Yet today when the state kills, it does so in a bureaucratic procedure hidden from view and for which no one in particular takes responsibility. He uncovers the forces that sustain America's killing culture, including overheated political rhetoric, racial prejudice, and the desire for a world without moral ambiguity. Capital punishment, Sarat shows, ultimately leaves Americans more divided, hostile, indifferent to life's complexities, and much further from solving the nation's ills. In short, it leaves us with an impoverished democracy. The book's powerful and sobering conclusions point to a new abolitionist politics, in which capital punishment should be banned not only on ethical grounds but also for what it does to Americans and what we cherish.

The delicious horror of Ransom Riggs and the sass of Mean Girls meets Titanic in this follow-up to the #1 New York Times bestseller How to Hang a Witch, in which a contemporary teen finds herself a passenger on the famous “ship of dreams”—a story made all the more fascinating because the author’s own relatives survived the doomed voyage. Samantha Mather knew her family’s connection to the infamous Salem Witch Trials might pose obstacles to an active social life. But having survived one curse, she never thought she’d find herself at the center of a new one. This time, Sam is having recurring dreams about the Titanic . . . where she’s been walking the deck with first-class passengers, like her aunt and uncle. Meanwhile, in Sam’s waking life, strange missives from the Titanic have been finding their way to her, along with haunting visions of people who went down with the ship. Ultimately, Sam and the Descendants, along with some help from heartthrob Elijah, must unravel who is behind the spell that is drawing her ever further into the dream ship . . . and closer to sharing the same grim fate as its ghostly passengers. Praise for How to Hang a Witch: “It’s like Mean Girls meets history class in the best possible way.” —Seventeen “Mather shines a light on the lessons the Salem Witch Trials can teach us about modern-day bullying—and what we can do about it.” —Bustle.com “Strikes a careful balance of creepy, fun, and thoughtful.” —NPR “I am utterly addicted to Adriana Mather’s electric debut. It keeps you on the edge of your seat, twisting and turning with ghosts, witches, an ancient curse, and—sigh—romance. It’s beautiful. Haunting. The characters are vivid and real. I. Could. Not. Put. It. Down.” —Jennifer Niven, bestselling author of All the Bright Places

Williams, the author of Hard Core, explores how these images took root, beginning with melodramatic theater, where suffering characters acquire virtue through victimization."--BOOK JACKET.

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.