This book reveals the primary causes of Habsburg defeat both in the Austro-Prussian War and the First World War. The choice of offensive strategy and tactics against an enemy possessing superior weaponry in the Austro-Prussian War, and opponents with superior numbers and weapons in the Great War, resulted in catastrophe. The inferiority of the Habsburg forces in both conflicts stemmed from imprudent spending decisions during peacetime, rather than conservatism or parliamentary stinginess. The desire to restore the sunken prestige of Austria-Hungary and prove Habsburg’s great power status drove the military to waste money on an expensive fleet, and choose offensive tactics to win great victories. This study shows the civil-military interaction in regard to funding and procurement decisions as well as the deep intellectual debates within the army, which refute the idea that the Habsburg military remained opposed to technology or progress

Segel's extensive introduction provides a wealth of information concerning the social, political, and cultural background of turn-of-the-century Vienna. The eight artists assembled here are concerned with their world, Austria and particularly Vienna. They exchange ideas, argue, gossip, tell stories, read each other's works and even write in the coffeehouse.

Publishing during the 100th Anniversary of the First World War An NYRB Classics Original The budding young Hungarian artist Béla Zombory-Moldován was on holiday when the First World War broke out in July 1914. Called up by the army, he soon found himself hundreds of miles away, advancing on Russian lines and facing relentless rifle and artillery fire. Badly wounded, he returned to normal life, which now struck him as unspeakably strange. He had witnessed, he realized, the end of a way of life, of a whole world. Published here for the first time in any language, this extraordinary reminiscence is a powerful addition to the literature of the war that defined the shape of the twentieth century.

John Keegan's groundbreaking portrayal of the common soldier in the heat of battle -- a masterpiece that explores the physical and mental aspects of warfare The Face of Battle is military history from the battlefield: a look at the direct experience of individuals at the "point of maximum danger." Without the myth-making elements of rhetoric and xenophobia, and breaking away from the stylized format of battle descriptions, John Keegan has written what is probably the definitive model for military historians. And in his scrupulous reassessment of three battles representative of three different time periods, he manages to convey what the experience of combat meant for the participants, whether they were facing the arrow cloud at the battle of Agincourt, the musket balls at Waterloo, or the steel rain of the Somme. The Face of Battle is a companion volume to John Keegan's classic study of the individual soldier, The Mask of Command: together they form a masterpiece of military and human history.

A year-by-year examination of key WWI battles and how the ongoing advances in artillery shaped strategy, tactics, and oprations; includes battlefield maps! World War I is often said to have been an artillery war, yet the decisive role artillery played in shaping military decisions—and therefor the war itself—has rarely been examined. Artillery in the Great War traces the development of this all-important technology, the differing approaches to its use, the many innovations it underwent on both sides, and how those approaches and innovations in turn effected key battles such as the Battle of the Somme. This highly readable and informative history is perfect for any reader interested in understanding the legacy of World War I, or the evolution of modern warfare.

The origins of World War I were different and varied. But it was Austria-Hungary which unleashed the war. After more than four years the Habsburg Monarchy was defeated and ended as a failed state.