Musical theatre has a special place in the hearts of Australians. Whether it is The Boy from Oz, Bran Nue Dae or Muriel's Wedding, we love to see Australian stories on the big stage with all the glamour, energy and vibrancy a musical can offer. However magical they are on stage, performances leave behind few traces. Australia has a rich, hidden history of achievement in musical theatre which is now largely forgotten. Drawing on their long careers in musical performance, and extensive research in public and private collections, Peter Wyllie Johnston and Peter Pinne have compiled a definitive account of the history of musical theatre in Australia. From small amateur performances in the early days, to international achievements, to the new wave of Australian musicals from the 1990s right through to the explosion of creativity in the 21st century, they recount the emotional roller-coaster of successes and disappointments of one of the most demanding art forms. Also included is an authoritative guide to over 300 Australian musicals. Richly illustrated with colour photos from the early days to the present, The Australian Musical is a book to treasure for years to come, and an invaluable resource for anyone involved with theatre and music. 'This history helps to cement my relationship with Australian musical theater, which is in for the long haul.' - TED CHAPIN, President, The Rodgers & Hammerstein Organization 'This fine book is surely the family tree of the Australian musical - an impressive study and fascinating read.' - REG LIVERMORE AO 'Groundbreaking . . . strips away assumptions and misconceptions about Australian musicals, and exposes their true history for the first time' - from the introduction by MARK MADAMA, Associate Professor of Musical Theatre, University of Michigan

Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.

Meet Edna: shes 14, shes a misfit, shes kind of a genius and shes in love. With Harry. Theres just one problem: Harry doesnt actually know that she exists. Because Harry is in the worlds biggest boy band, True Connection. But to Edna, thats just a small obstacle. When True Connection announces a tour stop in Ednas city, she realises that this is her one chance to meet Harry and convince him of their destiny. But how will Edna get Harrys attention? How will she convince him that shes the one? And just how far is she prepared to go in the name of love? Edna takes her devotion to unforseen heights in this thrilling and hilarious musical comedy about first love, fan culture and the danger of underestimating teenage girls. Fangirls, by composer, lyricist and playwright Yve Blake, will surprise and shock you. If you think this is just a story about loving a boy band think again. This is a story about how we ask young women to see themselves, and a celebration of their true, unlimited power.

“A ground-breaking study of the songs of the pied butcherbird . . . intellectually engaging and also very entertaining as a fieldwork memoir.” —The Music Trust How and when does music become possible? Is it a matter of biology, or culture, or an interaction between the two? Revolutionizing the way we think about the core values of music and human exceptionalism, Hollis Taylor takes us on an outback road trip to meet the Australian pied butcherbird. Recognized for their distinct timbre, calls, and songs, both sexes of this songbird sing in duos, trios, and even larger choirs, transforming their flute-like songs annually. While birdsong has long inspired artists, writers, musicians, and philosophers, and enthralled listeners from all walks of life, researchers from the sciences have dominated its study. As a field musicologist, Taylor spends months each year in the Australian outback recording the songs of the pied butcherbird and chronicling their musical activities. She argues persuasively in these pages that their inventiveness in song surpasses biological necessity, compelling us to question the foundations of music and confront the remarkably entangled relationship between human and animal worlds. Equal parts nature essay, memoir, and scholarship, Is Birdsong Music? offers vivid portraits of the extreme locations where these avian choristers are found, quirky stories from the field, and an in-depth exploration of the vocalizations of the pied butcherbird. “Hollis Taylor has given us one of the most serious books ever written on animal music. Is Birdsong Music? is so engaging that all who care about humanity’s place on Earth should read it. We are certainly not the only musicians on this planet.” —David Rothenberg, author of Why Birds Sing

The screenplay for the film in which Muriel overcomes the obstacles in her life and leaps into the unknown__

Musical theatre is a tough and over-crowded industry. Yet, despite the huge competition, many performers find auditioning difficult with little knowledge of what the directors, creative teams and producers are looking for, or how to win the panel over with their unique talent. As a leading international casting director, Neil Rutherford has seen thousands of hopefuls audition over the years. Uniquely, he also understands what it is like to audition from his years as a professional actor in musical theatre. This book provides a unique perspective on the musical theatre audition process and how to improve the chances of landing a role. With wit, humour and insight, Neil Rutherford guides the reader through the crucial elements of musical theatre auditions, opening up the process of casting and auditioning to the thousands of hopefuls trying to secure work in this industry every year, as well as anyone involved in musical theatre. With a foreword by Tony-award-winning director Bartlett Sher, the book also contains contributions from some of the world's leading directors and musical directors, including Sir Richard Eyre and Jerry Mitchell, adding further valuable insight from those at the centre of the musical theatre world. This book is a vital tool for anyone hoping to improve their audition chances and survive in the world of musical theatre.