Destined both for cello students and young musicians at the outset of their professional careers, this book gives you insight into the ways you can prepare for an orchestral cello audition. From how to plan your practicing to how to prepare mentally for the event, no stone is left unturned. You will also get detailed instructions, bowings and fingerings for 38 excerpts of the standard orchestral repertoire from the author, principal cellist of the Boston Symphony Orchestra.

Bunheads meets The Kicks in this first novel in a brand-new middle grade trilogy from New York Times bestselling author, dancer, model, and actress Maddie Ziegler! Twelve-year-old Harper has been dancing practically since she could walk. She loves her dance studio and team, and just won her first ever top junior solo in a regional competition. But right before the school year starts, Harper’s parents drop a bombshell—the family has to relocate from their cozy town in Connecticut to sunny Florida for their jobs. That means goodbye to her friends, dance team, trips to see shows in NYC—and did she mention dance team? When she arrives at her new dance school and new team, it feels like everyone has better feet, quicker turns and faster taps than Harper. And it doesn’t help that a group of girls, who nicknamed themselves The Bunheads, wonder how the heck she made the team if she can’t even do a simple turn sequence in front of the class. Thankfully, Harper befriends Lily, a fellow newbie in the studio who is just as eager to make her mark and find a friendly face. With a big competition coming up for the dance team, Harper is determined to show everyone—especially those Bunheads—what she’s made of. And when a very badly timed injury threatens all of the work they have done, The Bunheads, Lily, and Harper must learn to truly work together to give them their best shot at the top spot!

With guts, love, and her finger on the pulse, rock musical audition coach Sheri Sanders shares the essential tools artists need to interpret rock material with openness, sensitivity, creativity, and authenticity so they may succeed in the audition room and on stage. It includes tips from interviews with industry insiders and innovators.

'If you're working with Nancy Bishop you know you're in good, accomplished hands, whether you're a director or an actor.' – Neil Burger, Director of The Illusionist Auditioning for Film and Television is a must-have book and video guide for actors, written from the perspective of a Casting Director and offering practical advice on audition technique, scene analysis, online casting and social media. Auditioning for Film and Television is a practical workbook written from a casting director's point of view that teaches actors the craft of film auditioning in front of the camera. It shows actors how to use today's internet technologies to advance their careers and features success strategies and actual exercises to achieve results in the casting studio. A new edition of the popular Secrets from the Casting Couch, and now including video, Auditioning for Film and Television includes commentary, analysis and questions in workbook form for scenes from many celebrated films; exercises for actors to practise in front of a camera; and advice on career advancement and marketing in the age of social media.

The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, the Sound of Music and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before, how to use humour; create mystery; how to develop a distinct style; and how to evaluate the place, the relationships and the competition. In fact, Audition is a necessary guide to dealing with all the "auditions" we face in life. This is the bible on the subject.

This audition was supposed to be simple: prepare one classical monologue and one contemporary monologue. But when this challenge is taken up by a beauty queen, a stand-up comic, a slam poet, an Esperanto-speaking mime, and a parade of other crazies -- most of whom insist on doing the same Lady Macbeth piece very badly -- what's a director to do?

A step-by-step guide for training young actors to audition well by developing acting skills. No other book puts auditioning in the context of acting training-an all-encompassing audition text.