This book is the authorized chronicle of the Atlanta Rhythm Section, the legendary southern rock band that created such memorable hits as "Champagne Jam," "So Into You," "Imaginary Lover," "Spooky," and "Doraville." Already seasoned studio professionals when they formed in 1970, the A.R.S. forged a new direction in southern rock by focusing on the integrity of their music onstage and in the studio. Through platinum and gold albums--A Rock and Roll Alternative, Champagne Jam, and Underdog--as well as international tours, huge outdoor concerts, and personnel changes, the band has staunchly maintained its dedication to its craft over the decades. This story contains recollections from original and current band members, producers, technicians, other musicians, and fans, as well as more than 120 photos of band members from the early days as backup musicians for Roy Orbison and other iconic artists to the present day.

This book/CD pack is a great workbook to promote musical togetherness in the rhythm section; its exercises give the drummer and bassist a unique opportunity to understand the thinking of each other. It covers rock, funk, Latin and Latin rock styles, and teaches how to develop original odd time rhythms. The last chapter of the book features arrangements of 10 songs for practice.

"In the second half of the twentieth century, Atlanta became a pop music capital of the country. Former DJ Bill Lowery attracted a galaxy of talent and created an empire of music publishing, production and promotion. In 1956, the Lowery Music Company had its first million copy-selling hit single with "Be-Bop-a-Lula," by Gene Vincent. Under Lowery's direction, popular artists like Tommy Roe and Billy Joe Royal flourished. Audio engineer Rodney Mills teamed up with Lowery and future Atlanta Rhythm Section manager Buddy Buie to build Studio One, a recording studio that produced albums from legendary acts such as Joe South, Lynyrd Skynyrd, 38 Special and others. Andy Lee White and John M. Williams offer a comprehensive portrait of the vibrant postwar Atlanta music scene."--

When Southern rock acts like the Allman Brothers and Lynyrd Skynrd stormed American concert stages, detractors immediately came to the fore declaring the genre to be little more than a marketing gimmick. But those on stage themselves would have called its appearance not only inevitable but also a way of life. In the end, the musicians who played Southern rock reflected a robust and broad variety of influences, drawing deeply from the wellsprings of blues, rock, country, and even jazz. Listeners gravitated to the sounds of the New South, a place that had captured pop culture’s imagination amid the turbulence following President Nixon’s successful Southern strategy and silent majorities. Southern rock garnered a second wave of enthusiasm with the rise of the urban cowboy and Bill Clinton’s ascension to the presidency. For nearly half a century, Southern rock has captured and expressed the energy of the New South, inspiring a legacy that listeners can still hear from jam bands, indie acts, and mainstream country musicians. In Counting Down Southern Rock: The 100 Best Songs, C. Eric Banister considers the best songs to emerge from the bands who made Southern rock what it is. Banister examines the impact of the songs on the society and culture of devoted fans and delves deep into the history and production of each song. Featuring such well-known bands as the Allman Brothers Band and Lynyrd Skynyrd as well as less visible groups like Blackhorse and Heartsfield, this book is the perfect introduction for both newbies and dedicated fans.

"Jon Fine spent nearly thirty years performing and recording with bands that played various forms of aggressive and challenging underground rock music, and, as he writes in this memoir, at no point were any of those bands 'ever threatened, even distantly, by actual fame.' Yet when members of his first band, Bitch Magnet, reunited after twenty-one years to tour ... diehard longtime fans traveled from far and wide to attend those shows, despite creeping middle-age obligations of parenthood and 9-to-5 jobs, testament to the remarkable staying power of the indie culture that the bands predating the likes of Bitch Magnet--among them Black Flag, Mission of Burma, and Sonic Youth --willed into existence through sheer determination and a shared disdain for the mediocrity of contemporary popular music"--Amazon.com.

Jazz Theory Handbook is a complete guide to all the essential topics of jazz theory, suitable for all treble instruments. Its approach is clear and concise,realistic and practical. This book will help you to understand how contemporaryjazz players think, and to apply theory concepts in your own playing. Subjects are introduced progressively, with each new one based on those introduced before. Topics include chord building, harmonic movement, modes, II-V-I licks, polychords, blues, rhythm changes, how to learn tunes, practice techniques,playing outside, and more. All of the book's musical examples are performed on the accompanying audio, along with sample solos and 3 play-along tracks with a great rhythm section. Jazz Theory Handbook is designed for both self- study andclassroom use. Audio download available online

Southern Rock’s rich recorded heritage is compiled and reviewed in this handy reference guide.