Jesus in the sutras, stele, and suras -- The heavenly elder brother -- A Judean jnana-guru -- The non-existent Jesus -- A Jaffna man's Jesus -- Jesus as a Jain tirthankara -- An Upanishadic mystic -- A minjung messiah -- Jesus in a kimono -- Conclusion: Our Jesus, their Jesus

"When it comes to grasping who Jesus was and is, author Michael Amaladoss argues, images can be as important as doctrines. In The Asian Jesus he unfolds nine images from Asian literature, culture, and religion that can lead us to new depths in the person of the Founder of Christianity."--BOOK JACKET.

Asian Christian Theology provides a survey of contextually reflective, robustly evangelical theology for students to engage with the core doctrines of Christianity and their outworking in different cultures across Asia. The contributors of the chapters come from all corners of Asia to systematically examine traditional doctrinal themes and contemporary concerns for the Asian church. Ideal for use as a companion textbook in Asian seminaries and institutions, this book will also provide excellent further reading for those outside of Asia seeking global theological perspectives, and for those in contexts of significant Asian diaspora. Many excellent books surveying theology exist, but this book is a major step forward for students and scholars seeking to understand the dynamic environment of evangelical theology in Asia.

"The history of the True Jesus Church, a Pentecostal church founded in Beijing in 1917, reveals dynamic interaction between charismatic experience and organizational processes. Believers' lived experiences provide grassroots perspective on developments in China's modern history, including transnational exchange, gender roles, models for legitimate governance, clandestine culture, and church-state relations"--

WINNER OF THE 2022 ECPA CHRISTIAN BOOK AWARD FOR NEW AUTHOR Healthy relationships across cultures are possible. Dr. Michelle Reyes takes a close look at the concept of cultural accommodation found in Scripture—and especially in the letter of 1 Corinthians—to redefine how Christians interact with cultural narratives that are different from their own. Christians—whose standard of living is oneness in Christ, whose gospel is radically nonexclusive—should be at the frontlines of justice and of cross-cultural unity. But many of us struggle to reach outside of our own cultural bubbles and form real relationships that move beyond stereotypes and lead to understanding, healing, and solidarity across cultural lines. Why is that? Why is it so difficult to reconcile our call to be united in Christ with a celebration of different cultural expressions? What are the reasons for cultural differences and how do they so often lead to stereotyping, appropriation, gentrification, racism, and other forms of injustice? What does the Bible say about human beings as cultural image bearers? How do we reevaluate our awareness of culture identity in a healthy and constructive way? These are just some of the questions that Dr. Reyes explores as she faces the challenges surrounding cross-cultural relationships in America today and her thoughts on the way forward. Spoiler Alert! The way forward does require willingness to change. It requires embracing cultural discomfort. But by engaging with this book, you will be empowered to learn how to become all things to all people—that is: how to reflect Jesus' love in a multicultural, multiracial body of Christ and to share that love with a hurting world.

Written by and for Asian Americans, this study guide helps you discover and embrace Asian identity and learn to bridge the conflicting values of parents, culture and faith. Through accounts of humorous, frustrating and heartbreaking personal experiences, the authors offer support, encouragement and ideas for living out the Christian faith between two cultures.

This colourful catalogue features paintings and statements by five leading contemporary Asian artists, Sawai Chinnawong (Thailand), He Qi (China), Nalini Jayasuriya (Sri Lanka), Nyoman Darsane (Bali) and Wisnu Sasongko (Thailand), which highlight the very different ways artists of diverse cultures today perceive Biblical tales. Over 40 new paintings are explored showing how the Judeo-Christian narrative has been adapted for both western and indigenous audiences. Though greatly influenced by regional and cultural traditions, many of these artists have also been exposed to western Judeo-Christian teachings, and it is this mixture of influences which is so striking in their work. The book considers the importance of these works to the development and exportation of Asian Biblical Art to the West and its reception, audience and patronage.