“Set against one of the most horrible atrocities of the early twentieth century, the ethnic cleansing of Western Anatolia and the burning of the city of Izmir, Smyrna’s Ashes is an important contribution to our understanding of how humanitarian thinking shaped British foreign and military policy in the Late Ottoman Eastern Mediterranean. Based on rigorous archival research and scholarship, well written, and compelling, it is a welcome addition to the growing literature on humanitarianism and the history of human rights.”—Keith David Watenpaugh, University of California, Davis “Traces an important but neglected strand in the history of British humanitarianism, showing how its efforts to aid Ottoman Christians were inextricably enmeshed in imperial and cultural agendas and helped to contribute to the creation of the modern Middle East.”—Dane Kennedy, The George Washington University “Tusan shows vividly and compassionately how Britain’s attempt to build a ‘Near East’ in its own image upon the ruins of the Ottoman Empire served as prelude to today’s Middle East of nation-states.”—Peter Mandler, University of Cambridge “An original and meticulously researched contribution to our understandings of British imperial, gender, and cultural history. Smyrna’s Ashes demonstrates the long-standing influence of Middle Eastern issues on British self-identification. Tusan’s conclusions will engage scholars in a variety of fields for years to come.”—Nancy L. Stockdale, University of North Texas

September 1905. At the heart of the Ottoman Empire, in the ancient city of Smyrna, Scheherazade is born to an opium-dazed mother. At the very same moment, an Indian spy sails into the golden-hued, sycamore-scented city with a secret mission from the British Empire. When he leaves, 17 years later, it will be to the smell of kerosene and smoke as the city, and its people, are engulfed in flames. Told through the intertwining fates of a Levantine, a Greek, a Turkish and an Armenian family, this unforgettable novel reveals a city, and a culture, now lost to time. 'Fiercely intelligent, finely textured and achingly beautiful' Elif Shafak 'Utterly delightful' Buki Papillon 'This rich tale of love and loss gives voice to the silenced, and adds music to their histories' Maureen Freely, Chair, English PEN 'A must-read' Ayse Arman, Hu ̈rriyet 'A symphony of literature' Açik Radyo 'Defne Suman is a story-teller. She tells the story of how love, emotions and identities are influenced by socio-political events of a lifetime' Cumhuriyet Newspaper 'A wonderfully braided story of family secrets set in the magical city of Smyrna, told in luminous prose' Lou Ureneck, author of Smyrna, September 1922

On one level Smyrna 1922 is a modern Greek tragedy replete with the elements of irony and horror. The Greeks, one of the victorious Allied powers during World War 1, were betrayed by their allies and their army driven into the sea at Smyrna by the forces of Mustapha Kemal, an insurgent leader to whom his former enemies had given considerable covert help. There followed an enactment of the week of orgy after the fall of Constantinople in 1453; pillage, rape and massacre culminating, in this instance, in the spectacular destruction by fire of Smyrna (now Izmir), considered an infidel city by the Turks because of its predominantly Greek character and population. Dobkin's study is a definitive work concerning a debacle deliberately soft pedalled and almost expunged from the memory of modern day man in the words of Henry Miller in The Colossus of Maroussi.

This powerful and moving historical novel is inspired by the written recollections and the memories that haunted the author's father, Nicias Aridjis,--a captain in the Greek army, who returned from the fields of battle to Smyrna, 50 miles southeast of his hometown of Tire, in 1922 just as Turkish forces captured this cosmopolitan port city. Smyrna in Flames , by the internationally acclaimed Mexican writer and poet Homero Aridjis, lays bare the unimaginable events and horrors that took place for nine days between September 13 and 22--known as the Smyrna Catastrophe. After capturing Smyrna, Turkish forces went on a rampage, torturing and massacring tens of thousands of Greeks and Armenians and devastating the city--in particular, the Greek and Armenian quarters--by deliberately setting disastrous fires. After years of fighting in World War I and the Greco-Turkish War, Nicias enters a Smyrna under siege. He desperately moves through the city in search of Eurydice, the love of his life whom he left behind. Wandering the streets, the sounds of hopelessness commingle in his mind with echoes of the ancient Greek poets who sang of the city's past glories. Images and voices, suggestive of Homeric ghosts adrift in a catastrophic scenario, conjure up a mythological, historical, geographical quest that, in the manner of classical epic, hovers between the heroic and the horrible, illustrating the depths and depravity of the human soul. Making his way from district to district, evading capture, Nicias observes the last vestiges of normal life and witnesses unspeakable horrors committed by roaming Turkish forces and partisans who are randomly abusing and raping Greek and Armenian women and torturing and murdering their men. What he experiences is literally a living hell unfolding before his eyes. As Nicias passes familiar buildings, cafes, and churches, his mind and soul fill with nostalgia for his earlier life and the promise of love. Fortunately for the reader, the brutal and bloodthirsty scenes of the Smyrna Catastrophe are leavened by the voice of this "visionary poet of lyrical bliss, crystalline concentrations and infinite spaces," as Kenneth Rexroth has described Aridjis. His portrayal of a genocide-in-progress floods our senses, turning these chaotic scenes into a poignant drama. At the very end, aboard one of the last ships out of Smyrna before its final fall, Nicias scours the throng of thousands of desperate Greeks and Armenians pressing forward to escape on already overcrowded ships. Suddenly Turkish forces move in to shoot and stab, and, overwhelmed by the all-pervasive tragedy, Nicias abandons Smyrna and Asia Minor forever. Nicias is not a historian, he is an eyewitness and a survivor, and while the book is written in the context of his personal experiences, knowledge and conjectures of the events of the time, Nicias's son Homero has enriched the narrative with plausible fictional episodes and reports by journalists and written testimony by men and women who lived through the Smyrna Catastrophe.

Elie Wiesel called the genocide of the Armenians during the First World War ‘the Holocaust before the Holocaust’. Around one and a half million Armenians - men, women and children – were slaughtered at the time of the First World War. This book outlines some of the historical facts and consequences of the massacres but sees it as its main objective to present the Armenians to the foreign reader, their history but also their lives and achievements in the present that finds most Armenians dispersed throughout the world. 3000 years after their appearance in history, 1700 years after adopting Christianity and almost 90 years after the greatest catastrophe in their history, these 50 ‘biographical sketches of intellectuals, artists, journalists, and others...produce a complicated kaleidoscope of a divided but lively people that is trying once again, to rediscover its ethnic coherence. Armenian civilization does not consist solely of stories about a far-off past, but also of traditions and a national conscience suggestive of a future that will transcend the present.’ [from the Preface]