In The Arts of Deception, James Cook explores the distinctly modern mode of trickery designed to puzzle the eye and challenge the brain. Upsetting the normally strict boundaries of value, race, class, and truth, the spectacles offer a revealing look at the tastes, concerns, and prejudices of America's very first mass audiences.

The world's most infamous hacker offers an insider's view of the low-tech threats to high-tech security Kevin Mitnick's exploits as a cyber-desperado and fugitive form one of the most exhaustive FBI manhunts in history and have spawned dozens of articles, books, films, and documentaries. Since his release from federal prison, in 1998, Mitnick has turned his life around and established himself as one of the most sought-after computer security experts worldwide. Now, in The Art of Deception, the world's most notorious hacker gives new meaning to the old adage, "It takes a thief to catch a thief." Focusing on the human factors involved with information security, Mitnick explains why all the firewalls and encryption protocols in the world will never be enough to stop a savvy grifter intent on rifling a corporate database or an irate employee determined to crash a system. With the help of many fascinating true stories of successful attacks on business and government, he illustrates just how susceptible even the most locked-down information systems are to a slick con artist impersonating an IRS agent. Narrating from the points of view of both the attacker and the victims, he explains why each attack was so successful and how it could have been prevented in an engaging and highly readable style reminiscent of a true-crime novel. And, perhaps most importantly, Mitnick offers advice for preventing these types of social engineering hacks through security protocols, training programs, and manuals that address the human element of security.

"The Ghost Army" is full of art and photographs telling the story of the 23rd Headquarters Special Troops, an extraordinary US Army unit that used inflatable tanks and sound effects records to stage a traveling road show of deception on the battlefields of Europe during WWII. Many who served in this to-secret unit were artists destined for illustrious post-war art careers, including a budding fashion designer named Bill Blass. In their spare time they painted and sketched their way across war-torn Europe. The book is a catalog for a museum exhibit about the unit, and a companion to the forthcoming documentary film.

“The hottest sleuth to appear in children’s books since Nancy Drew” (The Boston Globe) is back! Don’t miss the eighth book in the series that’s been described as “a combination of Carl Hiaasen’s Flush and Janet Evanovich’s Stephanie Plum books” (School Library Journal) and hailed as “nonstop whodunits” (Kirkus Reviews)! The artsy crowd thinks Sammy Keyes has a lot of nerve showing up at a fancy reception in high-tops. But when she tackles a robber who’s brandishing a gun with one hand and pulling paintings from the wall with the other, they’re glad she has nerve. Or are they? Sammy may have stopped one criminal, but the real crime at this show has yet to be discovered. The real crime is more subtle, more artful, than anything Sammy’s ever seen. Who knew art could be so dangerous? Praise for the Sammy Keyes series: “If Kinsey Millhone ever hires a junior partner, Sammy Keyes will be the first candidate on the list. She’s feisty, fearless, and funny. A top-notch investigator!” —New York Times bestselling author Sue Grafton “The sleuth delights from start to finish. Keep your binoculars trained on Sammy Keyes.” —Publishers Weekly “The most winning junior detective ever in teen lit. (Take that, Nancy Drew!)” —Midwest Children’s Book Review

Photography is a lie. Just think about it: photographers create two-dimensional images that sometimes even lack color and then expect everyone who views the image to believe that this is how the subject and scene appeared in front of the lens, in real life. What is truly amazing is that people fall for the visual trickery readily, almost as if they want to be deceived. It gets better: people still believe that one can photograph only what is really there. In this book, Irakly Shanidze reveals the smoke and mirrors that the best photographers use to surprise, entertain, and inspire viewers. He explains that the individual features of photographer’s perception and technical limitations of his equipment make him do things that may eventually make a picture look very different from how a viewer would see the same scene with a naked eye and can lead to a ruined picture. Conversely, photographers who understand these phenomena can use the aforementioned “constraints” to deliberately adjust the level of truthfulness in their pictures. In each beautifully illustrated chapter, Shanidze discloses the photographic tools that enterprising photographers can use to create visual deception (e.g., to create a sense of dimension, create day-for-night effects, establish mood, simulate candid photographs, and generally suspend disbelief—without the time-consuming post-processing!). In doing so, he describes the image objectives (in other words, defines the image concepts) and introduces the tools needed to achieve them—whether a lens of a certain focal length, a light of a specific wattage, or a given shutter speed. He also deconstructs some of his favorite images to show readers how he was able to create a chiseled deception of his own. Armed with this book, photographers will learn to truly take the reins in their photographic pursuits and deliver supercharged, iconic, storytelling images.

Where is reality to be found: at the surface of things or behind it? Max Willem, a young art student in Montreal at the end of the 1960s, becomes obsessed with outward appearances - with makeup, costume, and masks of all kinds. For him, outward reality, and in particular that of the opposite sex, is composed of many veils of illusion and artifice through which he must see if he is to feel fully alive. At the same time, Max discovers his exceptional talent for art forgery. Moving to New York, he becomes a tool in the hands of a powerful international ring dealing in forged art, and suffers from the loss of his own artistic integrity. Himself seduced as much a seducer, how can Max escape and redeem his artistic soul? In The Art of Deception, Sergio Kokis has written a novel about mystification and illusion. His exuberant narrative provides a caustic insight into the undersides of art and of love.

From the Trojan Horse to Gulf War subterfuge, this far-reaching military history examines the importance and ingenuity of wartime deception campaigns. The art of military deception is as old as the art of war. This fascinating account of the practice draws on conflicts from around the world and across millennia. The examples stretch from the very beginnings of recorded military history—Pharaoh Ramses II's campaign against the Hittites in 1294 B.C.—to modern times, when technology has placed a stunning array of devices into the arsenals of military commanders. Military historians often underestimate the importance of deception in warfare. This book is the first to fully describe its value. Jon Latimer demonstrates how simple tricks have been devastatingly effective. He also explores how technology has increased the range and subtlety of what is possible—including bogus radio traffic, virtual images, even false smells. Deception in War includes examples from land, sea, and air to show how great commanders have always had, as Winston Churchill put it, that indispensable “element of legerdemain, an original and sinister touch, which leaves the enemy puzzled as well as beaten.”