Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.

Eugene Forsey combined vision with protest and erudition with wit. A legacy for the common good: Eugene Forsey’s wit and wisdom. Feisty and erudite, Eugene Alfred Forsey (1904-1991) was an activist scholar, labour researcher, constitutional expert, and senator who fought all his life for the common good. His speeches, articles, and letters informed and provoked Canadians for more than 60 years, and now his daughter brings that legacy back to life in this fascinating and relevant book. One of Canada’s foremost constitutional experts, Forsey was also a provocative voice for social justice. Legendary for his sharp wit and high principle, he brought encyclopedic knowledge, irascible tenacity, and common sense to the causes of democracy, justice, and equality for all. Those themes resound through this book and resonate strongly in the Canada of today. Forsey never managed to toe a party line obediently. Raised a Conservative, he converted to social democracy as a young academic in the 1930s. He spent the following decades working for the labour movement and the Co-operative Commonwealth Federation (CCF, now the New Democratic Party) and calling governments to account in speeches, articles, and pithy letters-to-the-editor. From 1970 to 1979, he sat in the Senate as a Trudeau Liberal, but soon afterward resumed his more natural role as non-partisan critic and gadfly. In labour halls, university classrooms, broadcasting studios, and the Senate chamber, Forsey entertained even as he educated. So, too, does this account of his works and life, which blends the personal and the political to provide a rich resource for Canadians facing the challenges of the 21st century. Helen Forsey, like her father, Eugene, is a social activist and writer, who worked overseas with CUSO and other international voluntary organizations. An ardent feminist and environmentalist, she winters in Ompah, Ontario, and summers at Pouch Cove, Newfoundland.

The long-awaited biography of one of Canada’s most intriguing and beguiling artists. Do artists really thrive in big cities, or do they just learn to imitate New York? Is it a contradiction for an artist to be fiercely local and profoundly identified with international art movements? If the brilliant colourist and regionalist pioneer Greg Curnoe stood for any one thing, it was making trouble. An intriguing rebel throughout his life, he challenged ideas about what art should be, and pushed it in radical new directions — including away from Toronto, a city he rejected while succeeding masterfully in its galleries. His untimely death in 1992 cut short a career of constant reinvention. This first biography of Curnoe recaptures in vivid detail the public and personal life of an iconoclast who was called a “walking autobiography,” as his work seemed to document his endless struggle against many of the core tenets of the art of his time. An anti-establishment firebrand and a fierce opponent of American dominance in Canadian culture, Curnoe, in his conceptual practice, constructed a stunning body of work that remains a hallmark in late-twentieth-century Canadian art.

A richly illustrated history of The Rideau Club, which was founded 150 years ago by Sir John A. Macdonald and Sir George E. Cartier. A highly accessible account of the Club's history and enduring place in the nation's capital, and the story of its evolution with vignettes of how certain members made and continue to make it a very special place.

Norman Levine's Canada Made Me, a bitter, critical reassessment of the moral and cultural values of 'the polite nation,' proved so shocking it took 21 years—despite initial acclaim when released in 1958—to see a Canadian edition. A record of his three-month journey from coast to coast, Levine's vision of Canada's seedy and unpleasant underworld is now a laconic classic.

[tag line] critically and cleverly examines the origins, evolution, and impact of the Ninja Turtles phenomenon - from its beginning as a self-published black-and-white comic book in 1984, through its transformation into a worldwide transmedia phenomenon by the middle of the 1990s, and up to the sale of the property to Nickelodeon in 2009 and relaunch of the Turtles with new comics, cartoons, and a big-budget Hollywood film. With the eye of contemporary cultural studies and the voice of a true lifelong Turtles fan, Rosenbaum argues that the Turtles' continuing success isn't mere nostalgia, but rather the result of characters, and a franchise, that mutated in a way that allowed the to survive and thrive in a post-modern world.