How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.

A lovingly curated collection of 365 charming portraits of our favorite four-legged companions, with anecdotes celebrating dogs’ endearing and irresistible quirks, based on Sally Muir’s popular “Dog a Day” Facebook page. Sally Muir’s debuted her “Dog a Day” project on Facebook in 2013: “My name is Sally Muir and this is a new gallery where I will add a dog drawing/painting every day, adding up to a massive 365-day dogfest.” As her Facebook page took off, so did the number of Sally’s portraits and her fame. Drawing on the substantial collection of artwork on her site, A Dog a Day is an irresistible collection of 365 beautiful portraits of dogs of all shapes and sizes, depicted in a range of mediums—from loosely worked sketches, prints, and charcoal drawings to oil paintings and lithographs. The artwork is accompanied by short anecdotes throughout, that reflects on these beloved animals’ goofy, loyal, and spunky dispositions. Charming and whimsical, A Dog a Day is a must for all dog lovers, a loving collection that guarantees a year’s worth of tail-wagging sweetness.

Using clear and concise language and in-depth, step-by-step demonstrations, author and renowned artist Mary Whyte guides beginning and intermediate watercolorists through the entire painting process, from selecting materials to fundamental techniques to working with models. Going beyond the practical application of techniques, Whyte helps new artists learn to capture not just the model's physical likeness, but their unique personality and spirit. Richly illustrated, the book features Mary Whyte's vibrant empathetic watercolors and works by such masters of watercolor as Mary Cassatt, Thomas Eakins, Winslow Homer, John Singer Sargent, and Georgia O'Keeffe.

How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.

With page after page of stimulating possibilities, this book guides you on an uncompromising journey to visually dynamic, conceptually provocative, utterly original art. Embrace the spirit of creative play, break out of your comfort zone, and take your art to a whole new level. In her follow-up to the popular Art Revolution, Lisa L. Cyr delves deeper into an inspiring range of two and three-dimensional mixed-media techniques. Discover fresh, alternative ways to apply and manipulate painting media, transform surfaces, and create distinctive, message-driven work. Inside you'll find: • A wide array of unconventional tools, materials and processes that help artists blaze their own unique and creative paths • 12 step-by-step demonstrations highlighting specific experimental techniques, including freeform painting, making custom tools, and building dimension into a surface with inlaid boxes • 3 feature demonstrations showing mixed-media processes at play in the creation of original artworks, from concept to completion • A chapter on creative self-promotion revealing the latest marketing and presentation strategies for the working artist