The Artificial Southerner tracks the manifestations and ramifications of "Southern identity"--the relationship among a self-conscious, invented regionalism, the real distinctiveness of Southern culture, and the influence of the South in America. In these essays columnist Philip Martin explores the region and those who have both fled and embraced it. He offers lyric portraits of Southerners real, imagined, and absentee: musicians (James Brown, the Rolling Stones, Johnny Cash), writers (Richard Ford, Eudora Welty), politicians (Bill Clinton, Jimmy Carter). He also considers such topics as the architecture of E. Fay Jones, the biracial nature of country music, and the idea of "white trash." "Every American has a South within," he says, "a conquered territory, an old wound . . . a scar." His work meditates on the rock and roll, the literature, the life, and the love which proceed from that inner, self-created South.

This comprehensive and in-depth look at southern politics in the United States challenges conventional notions about the rise of the Republican Party in the South. David Lublin argues that the evolution of southern politics must be seen as part of a process of democratization of the region's politics. The Voting Rights Act of 1965 provided a sharp jolt forward in this process by greatly expanding the southern electorate. Nevertheless, Democrats prevented Republicans from capitalizing rapidly on these changes. The overwhelming dominance of the region's politics by Democrats and their frequent adoption of conservative positions made it difficult for the GOP to attract either candidates or voters in many contests. However, electoral rules and issues gradually propelled the Democrats to the Left and more conservative white voters and politicians into the arms of the Republican Party. Surprisingly, despite the racial turmoil of the civil rights era, economic rather than racial issues first separated Democrats from Republicans. Only later did racial and social issues begin to rival economic questions as a source of partisan division and opportunity for Republican politicians.

Religion in the American South emerged as part of a globalized, transnational movement of peoples from the seventeenth through the nineteenth centuries. Ironically, it then came to be seen as the most localized, provincial kind of religion in America, one famously hostile to outside ideas, influences, and agitators. Yet southern religious expressions, particularly in music, have exercised enormous intellectual and cultural influence. Despite southern religion's provincialism during the era of evangelical dominance and racial proscriptions, the kinds of expressions coming from the American South have been influential across the globe. With this book Paul Harvey takes up the theme of southern religion in global contexts through a series of biographical vignettes that illustrate its outreach. In the first segment he focuses on Frank Price, the Presbyterian missionary to China and advisor to Chiang Kai-Shek. In the second he focuses on Howard Thurman, the mystic, cosmopolitan, preacher, intellectual, poet, hymnist, and mentor for the American civil rights movement. In the third he looks to the musical figures of Rosetta Tharpe, Johnny Cash, and Levon Helm, whose backbeat, harmonies, and religious enthusiasms contributed to much of the soundtrack of the world through the second half of the twentieth century.

A Companion to the American South surveys and evaluates the most important and innovative writing on the entire sweep of the history of the southern United States. Contains 29 original essays by leading experts in American Southern history. Covers the entire sweep of Southern history, including slavery, politics, the Civil War, race relations, religion, and women's history. Surveys and evaluates the best scholarship on every important era and topic. Summarizes current debates and anticipates future concerns.

Indians are everywhere and nowhere in the US South. Cloaked by a rhetoric of disappearance after Indian Removal, actual southeastern tribal groups are largely invisible but immortalized in regional mythologies, genealogical lore, romanticized stereotypes, and unpronounceable place names. These imaginary 'Indians' compose an ideological fiction inextricable from that of the South itself. Often framed as hindrances to the Cotton Kingdom, Indians were in fact active participants in the plantation economy and chattel slavery before and after Removal. Dialectical tropes of Indigeneity linger in the white southern imagination in order to both conceal and expose the tangle of land, labor, and race as formative, disruptive categories of being and meaning. This book is not, finally, about the recovery of the region's lost Indians, but a reckoning with their inaccessible traces, ambivalent functions, and the shattering implications of their repressed significance for modern southern identity.

In The Human Tradition in the New South, historian James C. Klotter brings together twelve biographical essays that explore the region's political, economic, and social development since the Civil War. Like all books in this series, these essays chronicle the lives of ordinary Americans whose lives and contributions help to highlight the great transformations that occurred in the South. With profiles ranging from Winnie Davis to Dizzy Dean, from Ralph David Abernathy to Harland Sanders, The Human Tradition in the New South brings to life this dynamic and vibrant region and is an excellent resource for courses in Southern history, race relations, social history, and the American history survey.

In the decades preceding the Civil War, the South struggled against widespread negative characterizations of its economy and society as it worked to match the North's infrastructure and level of development. Recognizing the need for regional reform, James Dunwoody Brownson (J. D. B.) De Bow began to publish a monthly journal -- De Bow's Review -- to guide Southerners toward a stronger, more diversified future. His periodical soon became a primary reference for planters and entrepreneurs in the Old South, promoting urban development and industrialization and advocating investment in schools, libraries, and other cultural resources. Later, however, De Bow began to use his journal to manipulate his readers' political views. Through inflammatory articles, he defended proslavery ideology, encouraged Southern nationalism, and promoted anti-Union sentiment, eventually becoming one of the South's most notorious fire-eaters. In De Bow's Review: The Antebellum Vision of a New South, author John Kvach explores how the editor's antebellum economic and social policies influenced Southern readers and created the framework for a postwar New South movement. By recreating subscription lists and examining the lives and livelihoods of 1,500 Review readers, Kvach demonstrates how De Bow's Review influenced a generation and a half of Southerners. This approach allows modern readers to understand the historical context of De Bow's editorial legacy. Ultimately, De Bow and his antebellum subscribers altered the future of their region by creating the vision of a New South long before the Civil War.