An essential guide to the fictional world of Charles Dickens. In thirteen entertaining and insightful essays, Mullan explores the literary machinations of Dickens's eccentric genius, from his delight in cliches to his rendering of smells and his outrageous use of coincidences

When he wrote Hard Times - which can be considered an epilogue to the much longer Bleak House - Dickens was able to conceive a plot neither centered around a hero nor fueled by the kind of wish fulfillment that structure had implied.

As a terrible storm rages, ten-year-old Dinah and her brother and sister listen to their cousin Gage's tale of a newly-hatched, orphaned, skibberee, or tooth fairy, called What-the-Dickens, who hopes to find a home among the skibbereen tribe, if only he can stay out of trouble.

“An ardent fan letter from Hornby that makes you want to re-read Great Expectations while listening to Sign o’ the Times.” —Vogue "This pairing -- two magnificent creatives, centuries and genres apart -- makes stunning sense in the hands of their wisest, wittiest fan." -- People From the bestselling author of Just Like You, High Fidelity, and Fever Pitch, a short, warm, and entertaining book about art, creativity, and the unlikely similarities between Victorian novelist Charles Dickens and modern American rock star Prince Every so often, a pairing comes along that seems completely unlikely—until it’s not. Peanut butter and jelly, Dennis Rodman and Kim Jong Un, ducks and puppies, and now: Dickens and Prince. Equipped with a fan’s admiration and his trademark humor and wit, Nick Hornby invites us into his latest obsession: the cosmic link between two unlikely artists, geniuses in their own rights, spanning race, class, and centuries—each of whom electrified their different disciplines and whose legacy resounded far beyond their own time. When Prince’s 1987 record Sign o’ the Times was rereleased in 2020, the iconic album now came with dozens of songs that weren’t on the original— Prince was endlessly prolific, recording 102 songs in 1986 alone. In awe, Hornby began to wonder, Who else ever produced this much? Who else ever worked that way? He soon found his answer in Victorian novelist and social critic Charles Dickens, who died more than a hundred years before Prince began making music. Examining the two artists’ personal tragedies, social statuses, boundless productivity, and other parallels, both humorous and haunting, Hornby shows how these two unlikely men from different centuries “lit up the world.” In the process, he creates a lively, stimulating rumination on the creativity, flamboyance, discipline, and soul it takes to produce great art.

'This is a marvellous, endlessly illuminating book ... It doesn't go on the shelf alongside other critics; it goes on the shelf alongside Dickens' Howard Jacobson Discover the tricks of a literary master in this essential guide to the fictional world of Charles Dickens. From Pickwick to Scrooge, Copperfield to Twist, how did Dickens find the perfect names for his characters? What was Dickens's favourite way of killing his characters? When is a Dickens character most likely to see a ghost? Why is Dickens's trickery only fully realised when his novels are read aloud? In thirteen entertaining and wonderfully insightful essays, John Mullan explores the literary machinations of Dickens's eccentric genius, from his delight in clichés to his rendering of smells and his outrageous use of coincidences. A treat for all lovers of Dickens, this essential companion puts his audacity, originality and brilliance on full display.

2021 National Jewish Book Award Winner - Children's Picture Book 2022 Sydney Taylor Book Award Honor for Picture Books Chicago Public Library Best Informational Books for Younger Readers 2021 The Best Jewish Children's Books of 2021, Tablet Magazine A Junior Library Guild Selection March 2022 The Best Children's Books of the Year 2022, Bank Street College 2022 First Place—Children's Book Nonfiction, Press Women of Texas 2022 First Place—Children's Book Nonfiction, National Federation of Press Women Eliza Davis believed in speaking up for what was right. Even if it meant telling Charles Dickens he was wrong. In Eliza Davis's day, Charles Dickens was the most celebrated living writer in England. But some of his books reflected a prejudice that was all too common at the time: prejudice against Jewish people. Eliza was Jewish, and her heart hurt to see a Jewish character in Oliver Twist portrayed as ugly and selfish. She wanted to speak out about how unfair that was, even if it meant speaking out against the great man himself. So she wrote a letter to Charles Dickens. What happened next is history.