Tweed is one of Scotland's great gifts to the world. Woven into every strand of this most authentic and rugged of cloths is an extraordinary heritage of innovation and creativity. The Art of Tweed explores the landscapes, textures, and patterns of this glorious fabric. From the rolling hills of Scotland's country estates to the rhythmic clatter of looms in our last-surviving mills. From artisan weavers on the Isle of Harris to the high fashion of international catwalks and urban designers reimagining tweed for the streets. Here is a story of romance, nostalgia, sustainability, and style-- of an effortlessly versatile cloth and its unique place in our lives. Whether fashioned into a flat cap or tailored into a cape, the story of tweed is a story to be shared.

A monograph on the ceramic paintings of Kevin McNamee-Tweed. The book is lavishly-illustrated throughout, and includes two new essays and an interview with the artist.

Harris Tweed is a unique woollen textile that has been hand-woven by islanders off the west coast of Scotland for generations. Worn worldwide, it is cherished both for the clothing made from it and as a fascinating traditional craft. Lara Platman spent a year with the farmers, mill workers, weavers, tailors and designers who are carrying this tradition forward into the twenty-first century and in Harris Tweed: From Land to Street she follows the chain of craftsmen, from the islanders in the Hebrides to the tailors of Savile Row. With an eye for character, colour and light, and an ear for a good story, Lara has created extraordinary portraits of these living national treasures, complemented by evocative images of the landscapes of Harris, the tweed patterns whose textures and colours seem to emerge from the land, and the use of Harris tweed in the work of fashion designers including Vivienne Westwood, Margaret Howell and Paul Smith.Offering insights into a lifestyle whose continued existence may surprise many, this group portrait is a heartfelt celebration of craftsmanship and a way of life.

Tartan and Tweed is a comprehensive look at the chequered history of tartan and tweed from their origins in the Scottish Highlands to their reinvention, growing and continued popularity and use in contemporary fashion design, music, art and film. Both tweed and tartan are fabrics with a strong cultural identity and history. But they have been reinvented to create multiple meanings, particularly when used in street fashions and in haute couture to mimic or parody the aristocracy, and to act as a subversive symbol of rebellion. This lavishly illustrated book focuses on fashion over the last century whilst looking back at the journey these fabrics have made from traditional cloth to stylish fabrics. We follow the early popularity of tartan and tweed including the fabrics' connections from crofters and clans to aristocracy, and look at tweed's dramatic recovery during an economic crisis and its subsequent re-invention as desirable luxury fashion fabric. The book explores the use of tartan and tweed in fashion in the collections of leading designers including Vivienne Westwood, Alexander McQueen and Chanel who have used these textiles in a fresh, subversive way, while also paying tribute to their history. Making use of first person sources, historic documents, paintings and fashion photographs, this is a complete overview of tartan and tweed in Scotland and beyond.

'To be human is to be involved with cloth.' Irish Tweed explores the history, the traditions, the patterns, the fashions and the legacy of Ireland's distinctive, natural woven fabric. Arising from ancient woven traditions of brat (cloak), léine (tunic), linen and poplin, tweed has evolved and reinvented itself many times to weave its beautiful lasting way into our future fashions and psyche.

This collection marks a turning point in the study of the history of American religions. In challenging the dominant paradigm, Thomas A. Tweed and his coauthors propose nothing less than a reshaping of the way that American religious history is understood, studied, and taught. The range of these essays is extraordinary. They analyze sexual pleasure, colonization, gender, and interreligious exchange. The narrators position themselves in a number of geographical sites, including the Canadian border, the American West, and the Deep South. And they discuss a wide range of groups, from Pueblo Indians and Russian Orthodox to Japanese Buddhists and Southern Baptists.