Woven by women to adorn tents and camel caravans, kilims are enduring records of life in Turkeyʹs nomadic communities, as well as stunning examples of abstract art. This exhibition marks the public debut of treasures from the museumʹs Murad Megalli Collection of Anatolian Kilims dating to the eighteenth and nineteenth centuries.

Concerns woolen pile carpets handknotted by village women in the Aegean region of western Turkey and a carpet-weaving project called DOBAG the natural dye research and development project supervised by Marmara University in Istanbul. Discusses the process of making a village carpet, carpet designs,

He tells of architecture, calligraphy, woodworking, and earthenware, but lays particular emphasis on the brilliant, underglaze-painted ceramics of Kutahya and the rich, piled carpets for which Turkey has been famed for centuries. While searching for the traits that define art and the stylistic complexities that characterize Turkish creativity, Glassie focuses on the artists and their theories and practices as well as the works they produce.

Set amidst the timeless landscape and remote villages of Anatolia, The Carpet Weaver of Uşak is the haunting and unforgettable story of a deep friendship between two women, one Greek Orthodox, the other a Muslim Turk: a friendship that transcends an atmosphere of mistrust, fear and ultimate collapse, long after the wars have ended.