This title provides an illustrated investigation of much-loved English wood-engraver and watercolourist Thomas Bewick. The book sets Bewick's art in the context of his tumultuous life, and draws connections between the artist's political and religious views and the character of his images.

In this superb biography, Uglow tells the story of the farmers son who influenced book illustration for a century to come. It is a story of violent change, radical politics, lost ways of life, and the beauty of the wild--a journey to the beginning of a lasting obsession with the natural world.

With Bewick on my knee, I was then happy...' Jane Eyre Charlotte Bronte's heroine was not alone in her enjoyment of Thomas Bewick's British Birds - since its first publication in 1797 it has become one of the best-loved classics of natural history. Bewick's masterful woodcuts are more than scientific records; each beady eye and jaunty pose betrays the artist's love of birds. This edition includes over 180 bird species, from garden favourites such as robins, blackbirds and finches, to predators such as the osprey and the majestic golden eagle. Each entry is illustrated with an engraving, and throughout the book are narrative vignettes typical of Bewick's playful, engaging style.

Thomas Bewick (1753-1828) was the foremost wood engraver of his generation, and the quality of his work has remained unsurpassed. His extraordinary woodcuts of animals and birds made him famous, and he dramatically influenced the development of the illustrated book in both England and America. Yet Bewick was no isolated creative genius toiling in an artists atelier, but a trade engraver in the heart of the city of Newcastle upon Tyne, working at the very moment when the Industrial Revolution was beginning to change the world. This book celebrates the skill of the artist by presenting 60 engravings, some never published before, and by offering a historical perspective.

Traces the split during the early nineteenth century between avant-garde and academic art, examines the work of Caspar David Friedrich, Thomas Bewick, and Thomas Couture, and discusses the impact of photography on art