Explore the resurgence of magical and shamanic healing in the world today. Recovering from disease, pain, and mental illness often means addressing otherworldly causes such as soul loss, soul fragmentation, or invasive spirits. Interviewing modern shamanic practitioners and sharing her own experiences as a psychotherapist and healer, author J. A. Kent, PhD, shows how ritual practice and mystical experience can be used as tools to foster profound spiritual and psychological growth. Through exploration of otherworldly phenomena, the Western mystery traditions, and the author’s psychotherapy case studies, this book shows how the Goddess represents the numinous reality of the universe while the Shaman represents the archetypal figure that can access the other side to bring forth knowledge and healing.

Whitley, an archaeologist specializing in the study of prehistoric art and religion, interprets the symbolism of California's ancient rock art, demonstrating that these pictographs were not created simply for artistic expression, but were deliberately intended to represent a relatively few number of specific messages. Color photographs depict such things as vision questing, sexuality, the mythic past, life crises, altered states of consciousness, and more.

Originally a lecture Frank Moore presented at N.Y.U. in 1990, Art of a Shaman explores performance and art in general terms as being a magical way to effect change in the world. Using concepts from modern physics, mythology and psychology, Moore looks at performance as an art of melting action, of ritualistic shamanistic doings/playings. By using his career and life as a "baseline", he explores this dynamic playing within the context of reality shaping. Art of a Shaman is filled with performance photos in full color, capturing the feeling of being at the performances! All in the size of a graphic novel. BUT DON'T BUY IT IF YOU DON'T WANT TO FEEL GOOD AND GET TURNED ON!Both editions published by Inter-Relations.

Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this provocative book, Peg Weiss provides an entirely new interpretation of Kandinsky's art by examining for the first time how this commitment to his ethnic Russian heritage influenced the painter's work throughout his career.

Folded plate (1 leaf, 39 x 61 cm, folded to 19 x 16 cm) in pocket.

Artist Shaman Healer Sage is a foundational shamanic guide for igniting your creativity and passion as the conscious dreamer of your life. It is a spiritual guidebook for your soul's walk upon earth, guiding you into universal spiritual wisdom, practices, ritual, and ceremony for living life in harmony. It is the perfect guide to navigate the challenging times that are upon us as humanity is at a crossroads. Artist Shaman Healer Sage offers timeless ancient wisdom in a modern day time of need. It is a treasure and a blessing, bridging the spiritual mystical world of Spirit with the earthly life as human. This is the perfect guide to assist you in living an intention life, empowered to create with greater joy and harmony.

Shamans walking on knives, fairies riding on clouds, kings with dragon mounts: They are gods and they are paper images. Some are repulsed and unsettled by shaman paintings, some cannot stop collecting them, and some use them as sites of veneration. Laurel Kendall, Jongsung Yang, and Yul Soo Yoon explore what it is that makes a Korean shaman painting magical or sacred. How does a picture carry the trace of a god and can it ever be “just a painting” again? How have shaman paintings been revalued as art? Do artfulness and magic ever intersect? Does it matter, as a matter of market value, that the painting was once a sacred thing? Navigating the journey shaman paintings make from painters’ studios to shaman shrines to private collections and museums, the three authors deftly traverse the borderland between scholarly interests in the material dimension of religious practice and the circulation of art. Illustrated with sixty images in color and black and white, the book offers a new vantage point on “the social life of things.” This is not a story of a collecting West and a disposing rest; the primary collectors and commentators on Korean shaman paintings are South Koreans re-imagining their own past in light of their own modernist sensibility. It is a tale told with an awareness of both recent South Korean history and the problematic question of how the paintings are understood by different South Korean actors, most particularly the shamans and collectors who share a common language and sometimes meet face-to-face.