Nesting one inside the other, wooden matryoshka dolls are a favorite toy in Russian homes and are collected by enthusiasts around the world. Illustrated throughout with color photographs, this volume tells the story of matryoshka production from the doll's first appearance in the toy making center of Sergiev Posad in 1899 through its contemporary interpretations by entrepreneurial artists. Each step in the manufacturing process?from the cutting of logs through the final lacquering of the dolls?is described in detail.

After her grandmother dies, Katya finds herself in a kingdom where the Tsarvitch has been turned into living ice and she uses the magic nesting dolls her babushka had given her to try to break the curse.

Illustrates, describes and lists the value of a variety of nesting dolls

Sasha's grandfather makes her a tiny wooden doll, but the mice are able to carry it off, so he makes another slightly larger doll to hold the tiny one, and then another, and another.

Meet Masha and her sisters in this charming die-cut novelty board book inspired by Russian nesting dolls. Featuring shaped pages with brightly painted edges, and culminating in a satisfying finale, these nestled dolls reinforce a sweet message: they may be different, but they're a perfect fit!

Three-dimensional stereoviews were wildly popular in the mid-19th century. Yet public infatuation fueled highbrow scorn, and even when they fell from favor, critics retained their disdain. Thus a dazzling body of photographic work has unjustly been buried. This book explores how compelling images were made by carefully combining subject matter, composition, lighting, tonality, blocking and depth. It draws upon the fine arts, the mass media, humanities, history, and even geology. Throughout, overlooked photographers are celebrated, such as the one who found extraordinary visual parallels within nature, anticipating Cezanne and Seurat--or the one who refused to play favorites during a bitter war and found humanity on both sides--or the one who took a favorite American glen and found menace all about. Stereographers were actually more like film directors or television producers than large format photographers: the best ones fused artistry with commercial appeal.