After fire destroyed Missouri's capitol in 1911, voters approved a bond issue to construct a new statehouse. The tax to pay the bonds produced a one-million-dollar surplus, leaving a vast amount of money to decorate the new building. A special commission of art-minded Missourians employed some of the nation's leading painters and sculptors to create powerful and often huge pieces of art to adorn Missouri's most important new structure. The art of the Missouri capitol was considered among the finest to adorn any state capitol. But the passage of time has lessened recognition of the pieces and their creators. Most people--even those daily wandering the marble halls--have little knowledge of the significance of the art and the history it portrays. Bob Priddy and Jeffrey Ball return the capitol's decorations to prominence in The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone. The book tells the many stories behind the art: the rigors of its creation, the political roadblocks that endangered the decoration program, and the triumph of the commissioners who devoted more than ten years to the project. The Art of the Missouri Capitol presents the art in 270 images, many by Lloyd Grotjan, mostly of the building's many compelling paintings, murals, and sculptures. Priddy, a journalist who has covered the Missouri legislature for more than three decades, and Ball, an art historian, use a wealth of historical materials to connect the grand design of the capitol decorations with accounts of sometimes temperamental artists and meddling politicians. The authors provide historical and artistic context to explain the many surprising, controversial choices the artists made, and they use Missouri history to explain the tales depicted in the artwork, revealing the events--and inaccuracies--that the paintings bring to life. The authors honor the Missouri capitol's artistic excellence in a way that will appeal to art enthusiasts and history buffs as well as to general readers. The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone is the definitive account of the art's creation, of the men who produced it, and of the Missourians who lived the history that inspired it.

Founded as a port at the confluence of two great rivers, Kansas City has the waters of the Missouri running through its bloodstream—threading expressways, delivering drinking water, carrying traffic and sewage, and emerging most visibly in the city’s celebrated fountains. Despite, or perhaps because of, the river’s ubiquity, the complex and critical nature of its presence can be hard to understand, which is precisely why Amahia Mallea’s enlightening book is so essential. Moving from the city’s center to the outer limits of the metropolitan area, A River in the City of Fountains offers a clear view of the reach and intricacies of the Missouri River’s connection to life in Kansas City. The history of this connection is one of science and industry working, sometimes at cross-purposes, to bend the river to the needs of commerce and public health. It is a story populated with heroes and villains, visionaries and robber barons, scientists and civil engineers, politicians and activists—all with schemes and plans and far-reaching ideas about what, and whose, demands the power of the Missouri should serve. And so, inevitably, it is a story of disparities: a story of, from one flood to the next, the haves staking out higher ground, leaving the have-nots to the perils of low-lying land. But what the book also shows us is a slow awakening to the ways in which all those vying for the river’s favor are inextricably connected by its course; here we see, finally, a growing awareness of the river’s essential role in the health and welfare of the whole urban environment. In the end, all citizens of Kansas City are both upstream and downstream; all are equally dependent on the health of the river. What this book helps us see is, at last, as much the city in the river as the river in the city.

A magnificent celebration of America's state capitol buildings. These glorious buildings are, in the author's words, "the homes of history," where laws are passed, where democracy is enacted, where history is written. Though each state capitol bears some similarity to the other forty-nine, each in its architecture and design reflects uniquely the pride of its state, both culturally and historically. For this unprecedented project, photographer Tom Patterson traveled to each of America's fifty state capitals to capture the architectural beauty and dignity of its capitol building in glorious large-format color images. Writer Susan W. Thrane reveals fascinating details about each capitol building's beginnings: the events surrounding construction background on its architects and builders dimensions and costs primary features and main rooms unique furnishings and works of art. The book also discusses important moments in the history of each building and the state itself, including: the origin of the state's name its capital city when the state was admitted to the Union, and the number of members in its legislative bodies.

The U.S. Capitol abounds in magnificent art that rivals its exterior architectural splendor. The fine art held by the U.S. Senate comprises much of this treasured heritage. It spans over 200 years of history & contains works by such celebrated artists as Augustus Saint-Gaudens, Hiram Powers, Daniel Chester French, Charles Willson Peale, Gilbert Stuart, Walker Hancock, & Alexander Calder. This volume provides previously unpublished information on the 160 paintings & sculptures in the U.S. Senate. Each work of art -- from portraiture of prominent senators to scenes depicting significant events in U.S. history -- is illus. with a full-page color photo, accompanied by an essay & secondary images that place the work in historical & aesthetic context.

Kansas City is often seen as a mild-mannered metropolis in the heart of flyover country. But a closer look tells a different story, one with roots in the city’s complicated and colorful past. The decades between World Wars I and II were a time of intense political, social, and economic change—for Kansas City, as for the nation as a whole. In exploring this city at the literal and cultural crossroads of America, Wide-Open Town maps the myriad ways in which Kansas City reflected and helped shape the narrative of a nation undergoing an epochal transformation. During the interwar period, political boss Tom Pendergast reigned, and Kansas City was said to be “wide open.” Prohibition was rarely enforced, the mob was ascendant, and urban vice was rampant. But in a community divided by the hard lines of race and class, this “openness” also allowed many of the city’s residents to challenge conventional social boundaries—and it is this intersection and disruption of cultural norms that interests the authors of Wide-Open Town. Writing from a variety of disciplines and viewpoints, the contributors take up topics ranging from the 1928 Republican National Convention to organizing the garment industry, from the stockyards to health care, drag shows, Thomas Hart Benton, and, of course, jazz. Their essays bring to light the diverse histories of the city—among, for instance, Mexican immigrants, African Americans, the working class, and the LGBT community before the advent of “LGBT.” Wide-Open Town captures the defining moments of a society rocked by World War I, the mass migration of people of color into cities, the entrance of women into the labor force and politics, Prohibition, economic collapse, and a revolution in social mores. Revealing how these changes influenced Kansas City—and how the city responded—this volume helps us understand nothing less than how citizens of the age adapted to the rise of modern America.

No one has written more about the African American experience in Missouri over the past four decades than Gary Kremer, and now for the first time fourteen of his best articles on the subject are available in one place with the publication of Race and Meaning: The African American Experience in Missouri. By placing the articles in chronological order of historical events rather than by publication date, Kremer combines them into one detailed account that addresses issues such as the transition from slavery to freedom for African Americans in Missouri, all-black rural communities, and the lives of African Americans seeking new opportunities in Missouri’s cities. In addition to his previously published articles, Kremer includes a personal introduction revealing how he first became interested in researching African American history and how his education at Lincoln University--and specifically the influence of his mentor, Lorenzo Greene--helped him to realize his eventual career path. Race and Meaning makes a collection of largely unheard stories spanning much of Missouri history accessible for the first time in one place, allowing each article to be read in the context of the others, and creating a whole that is much greater than the sum of its parts. Whether you are a student, researcher, or general reader, this book will be essential to anyone with an interest in Missouri history.

The reign of Big Tech is here, and Americans’ First Amendment rights hang by a keystroke. Amassing unimaginable amounts of personal data, giants like Google, Facebook, Amazon, and Apple—once symbols of American ingenuity and freedom—have become a techno-oligarchy with overwhelming economic and political power. Decades of unchecked data collection have given Big Tech more targeted control over Americans’ daily lives than any company or government in the world. In The Tyranny of Big Tech, Senator Josh Hawley of Missouri argues that these mega-corporations—controlled by the robber barons of the modern era—are the gravest threat to American liberty in decades. To reverse course, Hawley argues, we must correct progressives’ mistakes of the past. That means recovering the link between liberty and democratic participation, building an economy that makes the working class strong, independent, and beholden to no one, and curbing the influence of corporate and political elites. Big Tech and its allies do not deal gently with those who cross them, and Senator Hawley proudly bears his own battle scars. But hubris is dangerous. The time is ripe to overcome the tyranny of Big Tech by reshaping the business and legal landscape of the digital world.