The wine label is a powerful icon of modern civilization; it is a precious object of art that symbolizes and disseminates the cultural and spiritual values of the land where the wine is grown. Wine label design has undergone a renaissance where art meets marketing in the most powerful way, penetrating the subconscious, and using the power of suggestion to imply flavor and quality. Jeffrey Caldewey and Chuck House are acknowledged masters of the new designs and they have created designs for some of the world's most sought after wines and this book is a collection of their most important works. Beginning with a short treatise on some of the philosophical aspects of modern iconography, this book documents 100 wine labels and bottle designs with complete descriptions of the genesis and thought behind each design concept. This book will become a classic in package design and essential for wine marketers and those who collect label art.

"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.

A presentation on the biblical and patristic vision of beauty, applied then to contemporary movements in art. A 'theology of the icon' from a personal point of view, as well as in the context of the Church. Finally, the author includes a section and commentaries on 10 icons, from Riblev's Holy Trinity to the Novgorodian Angel.

Is there a relationship between Russian icons and Russian avant-garde art? Andrew Soira tackles this question and comes to some surprising conclusions. He demonstrates how icons underpin the development of 19th- and 20-th century Russian art.

This edited work offers a different view of Yosemite's visual history by presenting 200 works of art together with essays that explore the intersections between art and nature. Integrating the work of Native people, this work provides an inclusive view of the artists who helped create an icon of the American wilderness.