How exceptional brokers and agents have gone beyond using Comparative Market Analysis CMAs at listing presentations and now use them to stand out in a crowded marketplace and grow their businesses.

In The CMA Awards Vault takes the reader from the first radio-only Country Music Association Awards broadcast in 1967 to the glittery spectacle of 2009. The author interviewed dozens of Country Music's biggest stars of the last 50 years to get reactions to their and the CMA's greatest moments, both on and off the stage. Go behind the scenes for the greatest fashion moments and the art of producing the show, plus the greatest performances of the CMA Awards' first 43 years. Tucked into dozens of pockets, fans will find reporductions of old programs, lists of winners, tickets and more.

Featuring new, accessibly written scholarship by the curatorial staff, this book will be the definitive resource on this world-renowned collection.

Featuring more than 350 of the Cleveland Museum of Art's best known and most significant holdings, this handy guidebook provides a welcome companion while exploring the collection.

Through this catalog, readers will experience Aminah Robinson's amazing house, her art, and her profuse journals. In them, as was so often the case, she succinctly defined the importance of art in general and of her relationship with the Columbus Museum of Art.

Extraordinary photos that reveal the social, economic, and cultural realities of the Black South A True Likeness showcases the extraordinary photography of Richard Samuel Roberts (1880–1935), who operated a studio in Columbia, South Carolina, from 1920 to 1935. He was one of the few major African American commercial photographers working in the region during the first half of the twentieth century, and his images reveal the social, economic, and cultural realities of the black South and document the rise of a small but significant southern black middle class. The nearly two hundred photographs in A True Likeness were selected from three thousand glass plates that had been stored for decades in a crawl space under the Roberts home. The collection includes "true likenesses" of teachers, preachers, undertakers, carpenters, brick masons, dressmakers, chauffeurs, entertainers, and athletes, as well as the poor, with dignity and respect and an eye for character and beauty. Thomas L. Johnson and Phillip C. Dunn received a 1987 Lillian Smith Book Award for their work on this book. This new edition of A True Likeness features a new foreword by Elaine Nichols, the supervisory curator of culture at the Smithsonian National Museum of African American History and Culture in Washington, D.C. A new afterword is provided by Thomas L. Johnson.

As they paint together on the Bavarian mountainside, young Gabriele (Ella) Munter falls in love with her married teacher, Wassily Kandinsky. While their illicit love faces the disapproval of early 20th century European society, the two artists forge a partnership that will offer the world its first taste of Abstract Expressionism. Along with Alexei Jawlensky, Franz Marc, and other members of the Blue Rider, Munter and Kandinsky give birth to something truly new in art. Yet the delights of that heady time together are not to last, certainly not past the time of the Nazi purge of "Degenerate Art." That period will test Ella's mettle as well as her dedication to art and to love. Gabriele Munter's life is a tale of courage in the face of personal and historical crisis. Saving Kandinsky is her story.