“Guy has the rare talent of making this material accessible” -Neal Stephenson (from his Foreword to Swordfighting) “Guy Windsor's greatest gift to WMA/HEMA is his marvellous ability to translate period language into a meaningful experience for modern WMA/HEMA practitioners and he has once more shown his ability to do exactly that.” - Adam (review of Veni Vadi Vici) NOTE: THIS EDITION DOES NOT INCLUDE A FACSIMILE OF THE MANUSCRIPT From the late fifteenth century comes a detailed manuscript on knightly combat, written by Philippo Vadi. Dedicated to one of the most famous Italian condottiere of the age, Guidobaldo, Duke of Urbino, this book covers the theory of combat with the longsword, as well as dozens of techniques of the sword, the spear, the pollax, and the dagger. The Art of Sword Fighting in Earnest includes a detailed introduction, setting Vadi and his combat style in their historical context, a complete translation of the manuscript, and a detailed commentary from the perspective of the practising martial artist. Please note it does not include a facsimile of the manuscript, but that may be downloaded from a link provided in the text. This volume is the second edition of Dr. Windsor’s earlier work, Veni Vadi Vici, updating the translation and the introduction. This is essential reading for any practitioner of knightly combat, academic historian, or enthusiast for the quattrocento period of Italian history.

Full colour facsimile of Philippo Vadi's important fifteenth century manuscript on knightly commentary, with a detailed introduction, accurate translation and practical commentary from world-renowned swordsmanship instructor and researcher Dr. Guy Windsor.

This book is a simple, straight forward translation of Philippo di Vadi's "De Arte Gladiatoria Dimicandi" (1482), which covers a theoretical framework for the Italian longsword as well as plays of the sword, sword in armor, spear, poleaxe, and dagger.

“Useful, helpful, absorbing, entertaining. Whether you are interested in weaponry or, like me, researching details for a novel, this is the book for you.” - Helen Hollick Your search for a book that will feed your passion for and deepen your knowledge of swordsmanship ends here. Guy Windsor’s Swordfighting offers insight into this magnificent historical European martial art: you will find answers to your burning questions about swordsmanship, its theory and practice. This carefully crafted book provides essential information on diverse topics with piercing clarity. “Whether you are a writer or game-maker seeking the kind of information I sought while writing The Baroque Cycle, or just a general reader with an interest in the arts to which Guy Windsor has dedicated his career, you should find much that is rewarding in these pages.” - Neal Stephenson, New York Times bestselling and multi-award-winning author Made up of a selection of Guy’s essays and articles, with a great deal of brand new material, this engaging and revealing book makes this complex subject accessible, enabling you to deep-dive into — - Benefits of training - Types of weapons - Sword fighting principles - Historical accuracy If you are an actor, writer or games designer creating or writing fight scenes, this book provides cutting-edge research on our European martial arts heritage. You will also discover the dos and don’ts of producing a stunningly realistic sword fight. Swordfighting is not a training manual. For technical instruction on specific swordsmanship styles, pick up The Medieval Longsword and The Duellist's Companion.

This sixteenth-century German guide to sword fighting and combat training is a crucial source for understanding medieval swordplay techniques. Following his translation of Joachim Meyer’s The Art of Combat, Jeffrey L. Forgeng was alerted to an earlier version of Meyer’s text, discovered in Lund University Library in Sweden. The manuscript, produced in Strasbourg around 1568, is illustrated with thirty watercolor images and seven ink diagrams. The text covers combat with the longsword (hand-and-a-half sword), dusack (a one-handed practice weapon comparable to a sabre), and rapier. The manuscript’s theoretical discussion of guards sheds significant light on this key feature of the historical practice, not just in relation to Meyer but in relation to medieval combat systems in general. The Art of Sword Combat also offers an extensive repertoire of training drills for both the dusack and the rapier, a feature largely lacking in treatises of the period and critical to modern reconstructions of the practice. Forgeng’s translation also includes a biography of Meyer, much of which has only recently come to light, as well as technical terminology and other essential information for understanding and contextualizing the work.

The Flower of Battle is Colin Hatcher's translation of Fiore dei Liberi's art of combat from the early 15th century. The work included high-resolution images and English text laid out in the manner of the original.