Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element light can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.

Winner of the Christianity Today Book Award in Christianity and Culture How should we remember atrocities? Should we ever forgive abusers? Can we not hope for final reconciliation, even if it means redeemed victims and perpetrators spending eternity together? We live in an age that insists that past wrongs—genocides, terrorist attacks, bald personal injustices—should never be forgotten. But Miroslav Volf here proposes the radical idea that letting go of such memories—after a certain point and under certain conditions—may actually be a gift of grace we should embrace. Volf’s personal stories of persecution and interrogation frame his search for theological resources to make memories a wellspring of healing rather than a source of deepening pain and animosity. Controversial, thoughtful, and incisively reasoned, The End of Memory begins a conversation that we avoid to our great detriment. This second edition includes an appendix on the memories of perpetrators as well as victims, a response to critics, and a James K. A. Smith interview with Volf about the nature and function of memory in the Christian life.

The revered Zen teacher presents Buddhist meditation and mindfulness practices as tools for healing fraught relationships and difficult emotions—so we can move past childhood trauma. Based on Dharma talks by Zen Master Thich Nhat Hanh, and insights from participants in retreats for healing the inner child, this book is an exciting contribution to the growing trend of using Buddhist practices to encourage mental health and wellness. Reconciliation focuses on the theme of mindful awareness of our emotions and healing our relationships, as well as meditations and exercises to acknowledge and transform the hurt that many of us experienced as children. The book shows how anger, sadness, and fear can become joy and tranquility by learning to breathe with, explore, meditate, and speak about our strong emotions. Reconciliation offers specific practices designed to bring healing and release for people suffering from childhood trauma. The book is written for a wide audience and accessible to people of all backgrounds and spiritual traditions.

This book grows out of the conviction that, as the author says, "it is necessary to think about forgiveness not in spite of Auschwitz but because of Auschwitz." Drawing on the Bible and church history, Geiko M�ller-Fahrenholz shows how the idea of forgiveness has been distorted, abused and largely lost, and why it is so important to reclaim this healing art, not only in personal relations but especially in the relations between nations and peoples. He devotes one chapter to a careful analysis of the work of the Truth and Reconciliation Commission set up after the end of apartheid in South Africa, and its relevance to many other situations of deeply rooted hostility and conflict in the world today.

The Pocket Guide to the Sacrament of Reconciliation is a beautiful, prayerful book by Fr. Mike Schmitz and Fr. Josh Johnson which helps Catholics enter in to the Sacrament of Reconciliation more deeply.

Arts of Engagement focuses on the role that music, film, visual art, and Indigenous cultural practices play in and beyond Canada’s Truth and Reconciliation Commission on Indian Residential Schools. Contributors here examine the impact of aesthetic and sensory experience in residential school history, at TRC national and community events, and in artwork and exhibitions not affiliated with the TRC. Using the framework of “aesthetic action,” the essays expand the frame of aesthetics to include visual, aural, and kinetic sensory experience, and question the ways in which key components of reconciliation such as apology and witnessing have social and political effects for residential school survivors, intergenerational survivors, and settler publics. This volume makes an important contribution to the discourse on reconciliation in Canada by examining how aesthetic and sensory interventions offer alternative forms of political action and healing. These forms of aesthetic action encompass both sensory appeals to empathize and invitations to join together in alliance and new relationships as well as refusals to follow the normative scripts of reconciliation. Such refusals are important in their assertion of new terms for conciliation, terms that resist the imperatives of reconciliation as a form of resolution. This collection charts new ground by detailing the aesthetic grammars of reconciliation and conciliation. The authors document the efficacies of the TRC for the various Indigenous and settler publics it has addressed, and consider the future aesthetic actions that must be taken in order to move beyond what many have identified as the TRC’s political limitations.

"This photographic journal records the collaboration of Robert Motherwell and his studio assistants in the creation of the artist's monumental painting Reconciliation Elegy, a commission for the East Building, National Gallery of Art, Washington, D.C."--Back cover.