The Art of Paolo Veronese, 1528-1588

The Art of Paolo Veronese, 1528-1588
Title The Art of Paolo Veronese, 1528-1588 PDF eBook
Author William R. Rearick
Publisher
Pages 240
Release 1988
Genre Art
ISBN

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Grace and Grandeur

Grace and Grandeur
Title Grace and Grandeur PDF eBook
Author John Garton
Publisher
Pages 0
Release 2008
Genre Painting, Italian
ISBN 9781905375233

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Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice's civic splendor. His masterpieces in the Doge's Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice's most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice's best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo's images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese's innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice's golden age of painting ends appropriately with a glance at the moderns who profited most from the study of Veronese's portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese's portraits follows the chapters.

Veronese : Magnificence in Renaissance Venice

Veronese : Magnificence in Renaissance Venice
Title Veronese : Magnificence in Renaissance Venice PDF eBook
Author Xavier F. Salomon
Publisher National Gallery London
Pages 0
Release 2014
Genre Painting
ISBN 9781857095531

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Catalog of the exhibition "Veronese: magnificence in Renaissance Venice" held March 19-June 15, 2014 at the National Gallery, London.

Thomas Cole: Drawings and Paintings

Thomas Cole: Drawings and Paintings
Title Thomas Cole: Drawings and Paintings PDF eBook
Author Raya Yotova
Publisher
Pages 86
Release 2018-07-12
Genre
ISBN 9781722988807

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Thomas Cole (1801 - 1848) was an American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, which depict the same landscape over generations-from a near state of nature to consummation of empire, and then decline and desolation-now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Among Cole's other famous works are the Oxbow (1836), the Notch of the White Mountains, Daniel Boone at His cabin at the Great Osage Lake, and Lake with Dead Trees (1825). He also painted The Garden of Eden (1828), with lavish detail of Adam and Eve living amid waterfalls, vivid plants, and deer.In 1842, Cole embarked on a Grand Tour of Europe in an effort to study in the style of the Old Masters and to paint its scenery. Most striking to Cole was Europe's tallest active volcano, Mount Etna. Cole was so moved by the volcano's beauty that he produced several sketches and at least six paintings of it. The most famous of these works is A View from Mount Etna from Taormina. Cole also produced a highly detailed sketch of it, entitled View of Mount Etna which shows a panoramic view of the volcano with the crumbling walls of the ancient Greek theatre of Taormina on the far right.Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846.

Veronese's Allegories

Veronese's Allegories
Title Veronese's Allegories PDF eBook
Author Xavier F. Salomon
Publisher
Pages 60
Release 2006
Genre Allegories
ISBN

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Lorenzo Lotto

Lorenzo Lotto
Title Lorenzo Lotto PDF eBook
Author Peter Humfrey
Publisher Yale University Press
Pages 220
Release 1997-01-01
Genre Biography & Autobiography
ISBN 0300069057

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This study of the Venetian artist Lorenzo Lotto draws on the large body of work by the artist, as well as on the 16th-century documentation on the artist's life, including letters, an account book for the years 1538-56, and will.

Luxury Arts of the Renaissance

Luxury Arts of the Renaissance
Title Luxury Arts of the Renaissance PDF eBook
Author Marina Belozerskaya
Publisher Getty Publications
Pages 292
Release 2005-10-01
Genre Art
ISBN 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.