The Art of Missing Link is a lushly illustrated volume that goes behind the scenes of LAIKA’s new stop-motion adventure. The charismatic Sir Lionel Frost (voiced by Hugh Jackman) considers himself to be the world’s foremost investigator of myths and monsters. The trouble is none of his small-minded high-society peers seems to recognize this. Sir Lionel’s last chance for acceptance by the adventuring elite rests on traveling to America’s Pacific Northwest to prove the existence of a legendary creature. A living remnant of Man’s primitive ancestry. The Missing Link. Zach Galifianakis voices Mr. Link: the surprisingly smart, funny and soulful beast upon whom Sir Lionel’s dreams depend. As species go, he’s as endangered as they get; he’s the last of his kind, and he’s lonely. Proposing a daring quest to seek out his rumored distant relatives, he enlists Sir Lionel’s help in an odyssey around the world to find the fabled valley of Shangri-La. Together with Adelina Fortnight (voiced by Zoe Saldana), an independent and resourceful adventurer who possesses the only known map to the group’s secret destination, the unlikely trio embarks on a riotous rollercoaster of a ride. Along the way, our fearless explorers encounter more than their fair share of peril, stalked at every turn by dastardly villains seeking to thwart their mission. Through it all, Mr. Link’s disarming charm and good-humored conviction provide the emotional and comedic foundation of this fun-filled family film. From LAIKA, the animation studio behind the Academy Award–nominated Kubo and the Two Strings, Missing Link is a stunning stop-motion epic and raucous comedy. Featuring concept art from the film’s creation—including sketches, storyboards, character designs, and much more—and illuminated by in-depth interviews with the film’s creative team, The Art of Missing Link is a must-have companion to the film.

Explore the most fundamental and versatile--yet overlooked--component of jewelry design--the wire link! Unlike many transient jewelry fads, it is one aspect of jewelry making that is consistent and relevant to nearly every style. Get all the details of essential tools and wire techniques, as well as a collection of 30 custom links and step-by-step illustrated instructions for creating them. Join a variety of contributors that have created 15 jewelry projects, each incorporating one or more of author Cindy Wimmer's links. You'll see how any single link holds limitless design and functional possibilities. In addition to creating different links, Cindy will show you how to create different effects with the same link design by using or combining different colored wire, changing wire gauge, or changing the size of the link itself.

Are humans unique in having self-reflective consciousness? Or can precursors to this central form of human consciousness be found in non-human species? The Missing Link in Cognition brings together a diverse group of researchers who have been investigating this question from a variety of perspectives, including the extent to which non-human primates, and, indeed, young children, have consciousness, a sense of self, thought process, metacognitions, and representations. Some of the participants--Kitcher, Higgins, Nelson, and Tulving--argue that these types of cognitive abilities are uniquely human, whereas others--Call, Hampton, Kinsbourne, Menzel, Metcalfe, Schwartz, Smith, and Terrace--are convinced that at least the precursors to self-reflective consciousness exist in non-human primates. Their debate focuses primarily on the underpinnings of consciousness. Some of the participants believe that consciousness depends on representational thought and on the mental manipulation of such representations. Is representational thought enough to ensure consciousness, or does one need more? If one needs more, exactly what is needed? Is reflection upon the representations, that is, metacognition, the link? Does a realization of the contingencies, that is, "knowing that," in Gilbert Ryle's terminology, ensure that a person or an animal is conscious? Is true episodic memory needed for consciousness, and if so, do any animals have it? Is it possible to have episodic memory or, indeed, any self-reflective processing, without language? Other participants believe that consciousness is inextricably intertwined with a sense of self or self-awareness. From where does this sense of self or self-awareness arise? Some of the participants believe that it develops only through the use of language and the narrative form. If it does develop in this way, what about claims of a sense of self or self-awareness in non-human animals? Others believe that the autobiographical record implied by episodic memory is fundamental. To what extent must non-human animals have the linguistic, metacognitive, and/or representational abilities to develop a sense of self or self-awareness? These and other related concerns are crucial in this volume's lively debate over the nature of the missing cognitive link, and whether gorillas, chimps, or other species might be more like humans than many have supposed.

This book introduces newcomers to the field of evolutionary science with an accessible discussion of basic scientific practices, rock and fossil dating techniques and schools of classification.

Photography, more than any other medium, has altered the way we see ourselves and changed our perception of art. Pictures of people have become part and parcel of our daily life, influencing us through advertising and media. At the same time, the status of the human image in art has been enhanced, even though photography has called into question traditional views of art. Photography is, as it were, the "missing link" between man, the image of man and art.

We look for missing links in the sciences and humanities, but the essential missing link - metaphor - is always in front of us. In Missing Link, Jeffery Donaldson unites literary criticism and evolutionary and cognitive science to show how metaphor has been with us since the beginning of time as a seed in the nature of things. With examples from centuries of poets, critics, philosophers, and scientists, he details how metaphor is a chemistry, an exchange of energies forming and dissolving, and an openness in the spaces between things. He considers the ways in which DNA learns how to liken things that have been, how mutation makes errors and then tries them on, and how evolution is hypothesis - nature's way of "thinking more." The mind is a matrix of relations: neural synapses cascade into ever-changing pathways and patterns. Metaphor is the substance of things hoped for, the evidence of things not seen. It is the unbroken thread between matter and spirit. Whether offering analysis of a turn of phrase or chemical reaction, Missing Link presents a vision of literature that is also a vision of the cosmos, and vice versa. It enters the debate between evolution and religion, and challenges scientists, literary theorists, and religious advocates to rethink the relations between their disciplines.