Model-making: Materials and Methods focuses primarily on the wide variety of materials that can be employed to make models; those which have been favoured for a while and those which are relatively new. The book looks at how these materials behave and how to get the best out of them, then illustrates a range of relatively simple methods of building, shaping, modelling, surfacing and painting with them. Useful features of the book include: the different uses of models in various disciplines; the sequence of making; planning and construction, creating surfaces, painting and finishing; methods of casting, modelling and working with metals; step-by-step accounts of the making of specially selected examples; simple techniques without the need for expensive tools or workshop facilities; a 'Directory' of a full range of materials, together with an extensive list of suppliers. This book is intended for students of theatre production, art & architecture, animation and theatre/television set designers where accurate scale models are necessary, and is also of interest to anyone involved with the process of making forms in 3D and the challenge of making small-scale forms in general. Superbly illustrated with 185 colour photographs.

Possibly the best-known automotive model engineer in the world, Gerald Wingrove produces breath-takingly detailed miniatures that are to be found in the foremost collections. Here he presents a showcase of the models he has constructed in 1/15 scale, a size that allows chassis, engine and body detail to be reproduced with perfect accuracy.

Model railroading offers the exciting opportunity to be approached in the same way as any other branch of the art world. As such, the same principles can be applied to elevate your modeling efforts to new levels. Follow along as we delve into scene composition, color treatment theory, weathering, backdrops, layout room preparation, photography, and more!

How small is small? In The Big Book of Tiny Art you’ll discover a dynamic collection of miniature artwork, most no bigger than a large coin, covering a wide range of subjects, from animals and food to people and places. Showcasing painting and drawing, this inspirational guidebook provides an up-close look at the art of the miniature. Learn to paint and draw your own tiny masterpieces as you follow the simple step-by-step instructions. Each section of the book includes a gallery of finished miniature artwork. Packed with amazing illustrations, The Big Book of Tiny Art is a feast for both the eyes and the creative spirit.

STEVE HOLLAND: The World's Greatest Illustration Art Model is a visual celebration of the career of the most iconic male model whose face and form were recognized on paperbacks (Doc Savage, The Spider among others), magazines (Male, For Men Only, and more), comic books (The Phantom, Conan, and The Hulk), advertising illustration (The Saturday Evening Post), and even television (1950's Flash Gordon) from the fifties through the eighties. For many growing up in this era, Steve Holland was the face and muscle of male heroism - the archetypal hero that all men could aspire to be. Featuring exclusive biographical material and memorabilia from his family, interviews with the world-famous commercial illustrators who captured his dynamic sensibility, the colorful paintings and covers, and rare reference photos; STEVE HOLLAND: The World's Greatest Illustration Art Model is the definitive story of a true American icon whose impact on pop culture was limitless - right up until his death. For over thirty years Steve Holland wore the crown of male heroism. STEVE HOLLAND: The World's Greatest Illustration Art Model will show you what made him king.

Steiner (English, Univ. of Pennsylvania) delivers a lucidly written elaboration of "interactive aesthetics" first broached in her examination of the revival of beauty in contemporary art, Venus in Exile (2001). Here the focus is the artist's model, broadly conceived as a paradoxical site of reality/artificiality and power/lack of power. Steiner incorporates a wide range of material to explain early history (the Pygmalion myth, Galatea, Eve, and Pandora), the postmodernist turn (Edie Sedgwick, muse of Andy Warhol and Bob Dylan), and recent developments (Second Life, blogging, Wikipedia, bioethics). Concepts (mimesis, spectacle), literature (Kathleen Rooney's Live Nude Girl of 2008, J. M. Coetzee's Diary of a Bad Year of 2007, Milton, Keats, Henrik Ibsen, Virginia Woolf, Vladamir Nabokov, Nathaniel Hawthorne); art (Michelangelo, Picasso, Henri Matisse, Marcel Duchamp, Robert Mapplethorpe, Hannah Wilke, Vanessa Beecroft, Gillian Wearing, Oron Catts, Helena Almeida, Ann Hamilton, Sylvia Plachy, Hiroshi Sugimoto, Frederick Hart, John Kindness, Peter Eisenman, Rachel Whiteread), theory (Michel Foucault, Jacques Derrida, Jacques Lacan, Frederic Jameson, Judith Butler, Rene Girard), and art history (Michael Fried, Sir Kenneth Clark) are woven into a rich tapestry informed by Steiner's favorite semioticians, Roman Jakobson and Jan Mukarovsky. Summing Up: Recommended. Upper-level undergraduates and above; general readers. General Readers; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by E. K. Mix.