Sophie Friedel explores the action of skateboarding in her book as a way to escape cycles of despair, not only in war torn environments and regions affected by poverty. The author critically reflects on her involvements of teaching skateboarding in Afghanistan within the context of youth empowerment and peace work. By way of personal experiences, Friedel illustrates how skateboarding can be understood as an elicitive approach to peace work and conflict transformation that unfolds the extraordinary human potential inherent to all of us.

A primer in visual intelligence and an exploration of the workings of the eye, the hand, the brain and the imagination is comprised of an inexhaustible mine of anecdotes, quotations, images, trivia, oddities, serious science, jokes and memories, all concerned with the limitless resources of the human mind.

Native American tricksters can be buffoons, transformers, social critics, teachers, and mediators between human beings, nature, and the gods. A vibrant part of American Indian tradition, the trickster has shown a remarkable ability to adapt into the twenty-first century. In Living Sideways, Franchot Ballinger provides the first full-length study of the diverse roles and dimensions of North American Indian tricksters. While honoring their diversity and complexity, he challenges stereotypical Euro-American treatments of tricksters. Drawing from the most influential scholarship on Native American tricksters, Ballinger shows how many critics have failed to consider both the specifics of trickster stories and their cultural contexts. Each chapter concentrates on a particular aspect of the trickster theme, such as the trickster’s ambiguous personality, the variety of trickster roles, and the trickster’s role as social critic. Ballinger further considers issues of sex, gender, and humor, the use of trickster tales as instructions on social values and community control, and the trickster as an emblem of modern Indian survival. Living Sideways also includes illustrative trickster stories at the end of each chapter, a comprehensive bibliography, and discussion of the literary aspects of tricksters. Examining both the sacred power of tricksters and the stories as literature, Living Sideways is the most thorough book to date on Native American tricksters.

A raucous and surprising novel filled with wonderful details about wine, Rex Pickett's Sideways is also a thought-provoking and funny book about men, women, and human relationships. The basis for the 2004 comedy-drama road movie of the same name starring Paul Giamatti and Thomas Haden Church. Sideways is the story of two friends-Miles and Jack-going away together for the last time to steep themselves in everything that makes it good to be young and single: pinot, putting, and prowling bars. In the week before Jack plans to marry, the pair heads out from Los Angeles to the Santa Ynez wine country. For Jack, the tasting tour is Seven Days to D-Day, his final stretch of freedom. For Miles--who has divorced his wife, is facing an uncertain career and has lost his passion for living-the trip is a week long opportunity to evaluate his past, his future and himself.

Reg Dodd grew up at Finniss Springs, on striking desert country bordering South Australia's Lake Eyre. For the Arabunna and for many other Aboriginal people, Finniss Springs has been a homeland and a refuge. It has also been a cattle station, an Aboriginal mission, a battlefield, a place of learning, and a living museum. With his long-time friend and filmmaker Malcolm McKinnon, Dodd reflects on his upbringing in a cross-cultural environment that defied social conventions of the time. They also write candidly about the tensions surrounding power, authority, and Indigenous knowledge that have defined the recent decades of this resource-rich area. Talking Sideways is part history, part memoir, and part cultural road-map. Together, Dodd and McKinnon reveal the unique history of this extraordinary place and share their concerns and their hopes for its future.

Philosopher, cultural critic, and agent provocateur Zizek constructs a fascinating new framework to look at the forces of violence in the world.

In My Sideways Heart, with consummate poetic skill, Brown explores the nuances of human relationships, and he does so with a courage and emotional honesty rare in contemporary American poetry. Are the poems in this collection love poems ? Absolutely, but love poems skillfully absent the banal excesses of sentimentality. Brown writes with the confidence and directness of an experienced poet, and his seemingly simple diction belies the hard-earned wisdom stirring deep beneath the surface of his art. --Larry D. Thomas, 2008 Texas Poet Laureate"