This book features essays by curators from the Powerhouse Museum and Done Art and Design who look at the origins of an inspirations for Ken Done's work from his art school days in the 1950s thorugh his years in advertising to his work now as an artist and designer.

Rich reds, fuchsias, oranges, umbers, blacks, pinks and cadmium yellows abound in this ode to the Australian Outback. A delightful, compact package, Ken Done¿s Outback is one of four books in a collectable set exploring his most iconic landscapes.

Spotted, dotted corals and darting, iridescent fish flicker amidst rainbow-coloured reefs. A delightful, compact package, Ken Done¿s Reef is one of four books in a collectable set exploring his most iconic landscapes.

It is said that the greatest art forger in the world is the one who has never been caught. Caveat Emptor reveals the astonishing story of America’s most accomplished art forger. Ten years ago, an FBI investigation in conjunction with the U.S. Attorney’s Office in the Southern District of New York was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, renowned experts, and the major auction houses, the investigation inexplicably ended, despite an abundance of evidence collected. The case was closed and the FBI file was marked “exempt from public disclosure.” Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this book, Caveat Emptor, is Ken Perenyi’s confession. It is the story, in detail, of how he pulled it all off. Glamorous stories of art-world scandal have always captured the public imagination. However, not since Clifford Irving’s 1969 bestselling Fake has there been a story at all like this one. Caveat Emptor is unique in that it is the first and only book by and about America’s first and only great art forger. And unlike other forgers, Perenyi produced no paper trail, no fake provenance whatsoever; he let the paintings speak for themselves. And that they did, routinely mesmerizing the experts in mere seconds. In the tradition of Frank Abagnale’s Catch Me If You Can, and certain to be a bombshell for the major international auction houses and galleries, here is the story of America’s greatest art forger.

A stunning celebration of movement and dance in hundreds of breathtaking photographs by the creative team behind NYC Dance Project. The Art of Movement is an exquisite collection of photographs by well-known dance photographers Ken Browar and Deborah Ory that capture the movement, flow, energy, and grace of many of the most accomplished dancers in the world. Featured are more than 70 dancers from companies including American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theater, Martha Graham Dance Company, Boston Ballet, Royal Danish Ballet, The Royal Ballet, Abraham in Motion, and many more. Accompanying the photographs are intimate and inspiring words from the dancers, as well as from choreographers and artistic directors on what dance means to them.

I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror The wide brown land for me!Dorothea Mackellar's words have a knack for swelling the metaphorical chest of many Australians with the evocative descriptions in her iconic encomium, 'My Country'. Just as Mackellar zeroed in on the particular nuances of Australia that make our country so unique, this book forms an aesthetic study of the Australian landscape as seen, experienced and expressed by the Australian artists who choose to paint it.Surveying 50 artists working in various mediums and depicting varied terrains, A Painted Landscape showcases an incredible diversity of landscapes and in doing so, dispels the myth that Australia is all 'beach and bush'. Focusing on contemporary landscape painters, this is Australia in the 21st century through a specifically creative lens.