This is the complete reference guide to Japanese Science Fiction Film Posters from 1954 to present. Featuring fantastic film art from 65 different Japanese science fiction films, including all your favorites: The Godzilla series, Gamera, Mothra, Rodan, Gappa, Majin, the Gargantuas, H-Man, and many more. Over1,000 posters and lobby cards from 20 different countries featured in full color.

Japan has perhaps the most lively and richly developed tradition of supernatural lore of any civilization. It is comprised of some of the most relentlessly fearsome goblins, demons, metamorphosed animals and ghosts ever known to man. Japanese poets, actors, dancers, and artists have all delighted in portraying these monsters, often with a playfulness and humor that mitigates the demons' more ferocious qualities, but also with a bold, dramatic fervor designed to impress upon their audiences the lessons of folklore. For, like our own mythological and fairy-tale characters, Japan's supernatural inhabitants suggest much about the morals of the Japanese people and of their efforts to understand the mysteries of the world. This is the first book devoted to the study of the supernatural world and its representation in Japanese art. From the 17th to the 19th centuries many of Japan's most brilliant artists, including Hiroshige, Hokusai, Yoshitoshi, and Zeshin, allowed their imaginations free rein to present these mysteries in a variety of media, including paintings, woodblock prints, screens, netsuke and inrō sculptures, and fans. The 49 color plates and 75 black and white illustrations presented here show a stunning array of Japan's most fiendish figures. Each of the ten chapters focuses on one of the most important themes in Japanese lore, discussing its anthropological meaning and literary and artistic interpretations. -- from back cover.

Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity. Ê

Monsters known as yōkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines and movies, exploring their meanings in the Japanese imagination over three centuries.

Japanese anime plays a major role in modern popular visual culture and aesthetics, yet this is the first study which sets out to put today’s anime in historical context by tracking the visual links between Edo- and Meiji-period painters and the post-war period animation and manga series ‘Gegegeno Kitaro’ by Mizuki Shigeru. Through an investigation of the very popular Gegegeno Kitaro series, broadcast from the 1960s to the present time, the author is able to pinpoint the visual roots of the animation characters in the context of yôkai folklore and Edo- and Meiji- period monster painting traditions. Through analysing the changing images related to the representation of monsters in the series, the book documents the changes in the perception of monsters over the last half-century, while at the same time reflecting on the importance of Mizuki’s work in keeping Japan’s visual traditions alive and educating new audiences about folklore by recasting yôkai imagery in modern-day settings in an innovative way. In addition, by analysing and comparing character, set, costume and mask design, plot and storyline of yôkai-themed films, the book is also the first study to shed light on the roles the representations of yôkai have been assigned in post-war Japanese cinema. This book will be of particular interest to those studying Japanese visual media, including manga and animation, as well as students and academics in the fields of Japanese Studies, Animation Studies, Art History and Graphic Design.

Vivid in Japanese art and imagination are creatures that are at once ghastly and humorous. The Japanese word yokai generally refers to a range of supernatural beings such as ghosts, demons, monsters, shapeshifters, tricksters, and other strange kinds of creatures. While their status is commonly described as supernatural, they exist or appear in the natural, human world. Today, yokai are wildly popular in Japan. They are prevalent across contemporary entertainment genres such as manga ("comics") and anime ("animation") series, horror movies, and video games, and they also manifest as the subject of related material culture objects like game cards, character t-shirts, cuddly plushies, and collectable gashapon capsule toys. This diverse array of yokai imagery and materiality is deeply rooted in the past. Yokai images and their stories are enduring, and there is no question that what we see in hot commodities today is closely aligned with traditional Japanese folklore. Yokai: Ghosts & Demons of Japan explores yokai and their popularity in Japan through multiple perspectives of yokai: what they are, their associated tales, how people engaged with or interpreted yokai in different contexts, and why they remain so popular in Japan. The contributors to this book are among eminent scholars, creators, and promoters of various aspects of yokai culture. The interdisciplinary nature of this book's presentation vibrantly illustrates yokai from different angles, allowing for a broad view of their cultural scope in Japan. In addition, the contributors delve into popular culture themes, connecting traditional folklore, folk art, and imagery to trends in Japan as well as in the United States.