First English collection of some of the most beautiful and fascinating Italian film posters.

Classic Italian film poster art is renowned as being among the most accomplished, creative and dynamic of its kind. From the post-war period through to the 1980s, Italian artists consistently produced posters with sumptuously stunning designs and imagery - not least in the Western genre, where the invention of the "Spaghetti Western" gave abrasive new life to a dying form of cinematic narrative. ULTRA WILD WEST collects more than 85 film poster designs by a wide range of acclaimed Italian artists, in full-color, full-page reproductions showcasing some of the world's most innovative and eye-blasting graphic artwork, enhanced by rare production photographs which bring the book's total images to over 100.

Italian cinema has produced some of the medium's most striking moments, films acclaimed as classics of their kind not only within Italy but also internationally. Italian filmmakers have defined, influenced and indeed created whole genres. This collection offers an overview of a rich cinematic culture, profiling and paying homage to its artists and designers. The Art of Italian Film Posters follows Italian film from its early mythological phase, through the development of Neorealism, the transitional 1950s, the creative peak of the 60s and the politically troubled 70s. In terms of poster design this period was also a golden age. Artists were not subject to today's style guidelines where a global marketing plan governs all publishing material; different versions were executed by both obscure and well known artists, and were printed in thousands of copies. The cultural heritage of the film poster functions not only as supporting document for the history of cinema, but also as a history of our times, as we see social trends mirrored and challenged by cinema.

Classic Italian film poster art is renowned as being among the most accomplished, creative and dynamic of its kind. From the post-war period through to the 1980s, Italian artists consistently produced posters with sumptuously stunning designs and imagery - not least in the horror and exploitation genres, for which compositions almost invariably included curvaceous female figures in jeopardy, juxtaposed with the iconography of fantasy and terror. VOLUPTUOUS TERRORS 2 collects 120 film posters by a wide range of acclaimed Italian artists, created for both indigenous and foreign-language film productions. Classic exploitation, pulp horror, and giallo movies all figure in full-color, full-page reproductions showcasing some of the world's most innovative and seductive poster design.

As long as there have been movies, there have been posters selling films to audiences. Posters came into existence just decades before the inception of film, and as movies became a universal medium of entertainment, posters likewise became a ubiquitous form of advertising. At first, movie posters suggested a film's theme, from adventure and romance to thrills and spine-tingling horror. Then, with the ascendancy of the film star, posters began to sell icons and lifestyles, nowhere more so than in Hollywood. But every country producing films used posters to sell their product. Selling the Movie: The Art of the Film Poster charts the history of the movie poster from both a creative and a commercial perspective. It includes sections focusing on poster artists, the development of styles, the influence of politics and ideology, and how commerce played a role in the film poster's development. The book is richly illustrated with poster art from many countries and all eras of filmmaking. From creating the brand of Charlie Chaplin's tramp and marketing the elusive mystique of Greta Garbo, to the history of the blockbuster, the changing nature of graphic design by the decade, and the role of the poster in the digital age, Selling the Movie is an entertaining and enthralling journey through cinema, art, and the business of attracting audiences to the box office.

Classic Italian film poster art is renowned as being among the most accomplished, creative and dynamic of its kind. From the post-war period through to the 1980s, Italian artists consistently produced posters with sumptuously stunning designs and imagery - not least in the horror and exploitation genres, for which compositions almost invariably included curvaceous female figures in jeopardy, juxtaposed with the iconography of fantasy and terror.Voluptuous Terrors 3 collects 120 film posters by a wide range of acclaimed Italian artists, created for both indigenous and foreign-language film productions. Classic exploitation, pulp horror, science fiction, Eurospy, mondo and giallo movies all figure in full-color, full-page reproductions showcasing some of the world's most innovative and seductive poster design.

A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick’s collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962. In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick’s firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany’s (1961). By showcasing several posters for each performer—such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn—Resnick offers a unique method of charting the evolution of each movie star’s career. Organizing his account both chronologically and thematically, in later chapters Resnick discusses some of Hollywood’s legendary directors and films, and critiques fantastic graphic art from little-known films. Bonus material includes a list of Resnick’s fifty favorite one-sheets, helpful tips for the collector, and a glossary of terms and poster sizes. A must-have book for every collector and film buff, Starstruck offers a beautifully illustrated, personal tour of a bygone age of the motion picture advertising industry.