The remarkable detail and subtly stylized lines characterizing the artistry of celebrated woodcarver Ivan Denton are in abundant evidence in this beautifully illustrated volume. Chosen from collections across the country, these pieces represent the masterworks from one of a disappearing breed of artisans.

The painting and writing of Denton Welch, much admired by such disparate people as Edith Sitwell and William Burroughs, is at once seemingly artless and immensely considered. There is really no one quite like him. Frail and desperately sensitive, Welch died young at the age of 33, leaving behind an intense corpus of work that had earned him widespread admiration both artistically and as a writer. James Methuen-Campbell has delved deep into Welch's short life, balancing analysis of his work with a detailed study of his life, enhanced by countless interviews with those who knew Welch best.

When her grandmother’s will wrenches Sara back to her small hometown of Sweet Bay, Alabama, she must face family secrets and difficult choices. In the South, family is always more complicated than it seems. After her last remaining family member dies, Sara Jenkins goes home to The Hideaway, her grandmother Mags’s ramshackle B&B in Sweet Bay. She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there. Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected. Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways. When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans Praise for The Hideaway: “A story both powerful and enchanting: a don’t-miss novel in the greatest southern traditions of storytelling.”—Patti Callahan Henry, New York Times bestselling author “Two endearing heroines and their poignant storylines of love lost and found make this the perfect book for an afternoon on the back porch with a glass of sweet tea.”—Karen White, New York Times bestselling author USA TODAY and Amazon Charts bestseller Full-length Southern Women’s Fiction Includes Discussion Questions for Book Clubs

A USA TODAY bestseller! Hurricane Season is the story of sisterhood, motherhood, and an unconventional journey to healing—and the relationships that must be mended along the way. Betsy and Ty Franklin, owners of Franklin Dairy Farm in southern Alabama, have long since buried their desire for children of their own. While Ty manages their herd of dairy cows, Betsy busies herself with the farm’s day-to-day operations and tries to forget her dream of motherhood. But when her free-spirited sister, Jenna, drops off her two young daughters for “just two weeks,” Betsy’s carefully constructed wall of self-protection begins to crumble. As the two weeks stretch deeper into the Alabama summer, Betsy and Ty learn to navigate the new additions in their world—and revel in the laughter that now fills their home. Meanwhile, record temperatures promise to usher in the most active hurricane season in decades. Attending an art retreat four hundred miles away, Jenna is fighting her own battles. She finally has time and energy to focus on her photography, a lifelong ambition. But she wonders how her rediscovered passion can fit in with the life she’s made back home as a single mom. But when Hurricane Ingrid aims a steady eye at the Alabama coast, Jenna must make a decision that will change her family’s future, even as Betsy and Ty try to protect their beloved farm . . . and their hearts. Praise for Hurricane Season: “A poignant and heartfelt tale of sisterhood, motherhood, and marriage, Hurricane Season deftly examines the role that coming to terms with the past plays in creating a hopeful future. Readers will devour this story of the hurricanes—both literal and figurative—that shape our lives.” —Kristy Woodson Harvey, national bestselling author of Slightly South of Simple Full-length contemporary Southern fiction Stand-alone novel Includes discussion questions for book clubs

An inspiring and timely debut novel from Lisa Williamson, The Art of Being Normal is about two transgender friends who figure out how to navigate teen life with help from each other. David Piper has always been an outsider. His parents think he's gay. The school bully thinks he's a freak. Only his two best friends know the real truth: David wants to be a girl. On the first day at his new school Leo Denton has one goal: to be invisible. Attracting the attention of the most beautiful girl in his class is definitely not part of that plan. When Leo stands up for David in a fight, an unlikely friendship forms. But things are about to get messy. Because at Eden Park School secrets have a funny habit of not staying secret for long , and soon everyone knows that Leo used to be a girl. As David prepares to come out to his family and transition into life as a girl and Leo wrestles with figuring out how to deal with people who try to define him through his history, they find in each other the friendship and support they need to navigate life as transgender teens as well as the courage to decide for themselves what normal really means.

A graduate of Cooper Union in New York, Whitfield Lovell has been widely exhibited worldwide. His work is in such museums as the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Museum of American Art, and the Seattle Art Museum. Inspired by his own background, global travels and research, and large collections of found objects and photographs of African Americans, Lovell creates tableaux and full-scale, site-specific installations, melding two-dimensional charcoal drawings with the three-dimensional objects. His works reveal African American spirituality and recall the memories and the heritage that define who African Americans are.

Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.