The final chapter covers government-sponsored art in the 1930s, including murals in public buildings and the Index of American Design. Collected here are 160 illustrations of Florida art, 100 in color. The illustrated paintings were gathered from public and private collections all over the country, many reproduced here for the first time.

Celebrating Florida: Works of Art from the Vickers Collection illustrates in full color a generous selection of paintings and works on paper by some of the world's most significant artists who came to Florida from 1823 to 1950 to capture the "Sunshine State". Of particular interest to students of Florida history are two essays by noted historians Wendell Garrett and Erik Robinson, who discuss the "creation of Florida" and its birth as a state in 1845. Essays on each artist present an aesthetic, historical, social, and cultural overview - designed to clarify the significance of the works of art presented in this first-ever collection of Florida-based art. Essays on each artist with bibliographies by Henry Adams, Gary R. Libby, James Murphy, Erik Robinson, and David Swoyer help to explain the significance of individual works and their place in Florida's history and artistic record. Celebrating Florida: Works of Art from the Vickers Collection offers the most comprehensive study of Florida art currently available. It also serves as the catalog for a traveling exhibition curated at the Museum of Arts and Sciences in Daytona Beach, Florida, in honor of Florida's Sesquicentennial.

Captivating views of birdlife In photographs that surprise with their eye-catching composition and amaze with their detail, The Art of Birds captures the beauty of birds as most people never see them. Jim Miller focuses his camera lens on distinctive and spectacular species found in the wetlands and along the shorelines of Florida and the southeast, portraying their behaviors in their natural habitats. Ranging from striking portraits to high speed stop-action shots, the images showcase the splendor of large birds such as the anhinga, great blue heron, sandhill crane, snowy egret, osprey, and flamingo. They also depict the charm of smaller species including the ruddy turnstone, boat-tailed grackle, and the least bittern. Many of the photographs display brilliant plumage up close. Others show aspects of bird life related to courting, feeding, and flying. Accompanying the images are descriptions of the species by early naturalists and ornithologists, from William Bartram to John James Audubon to Arthur Cleveland Bent. The excerpts from their narratives and journals reveal bird populations and environments that we can only imagine today, providing an homage to Old Florida through the perspectives of some of its most astute and eloquent chroniclers. Miller's captivating photography encourages viewers to marvel at the elegant combination of form and function in bird species, perfected by processes of adaptation and selection over millions of years. The Art of Birds celebrates the creativity of nature, the joy of observation, and the richness of birdlife.

Ice Age Florida: In Story and Art By: Robert W. Sinibaldi and illustrated by Hermann Trappman Florida's Ice Age was vastly different from what the North experienced. Ice Age Florida: In Story and Art investigates and illustrates the fascinating fossil record and history of the Gulf Coast compared to what most envision when the term Ice Age comes up. The author takes the reader along on his initial and developing interest in fossil diving and details his insatiable curiosity about the fauna of Florida's Ice Age, all vividly represented by the amazing artwork of Hermann Trappman.

For thousands of years, the Indians of Florida created exquisite objects from the natural materials available to them - wood, bone, stone, clay, and shell. This stunning full-color book, the first devoted exclusively to the artistic achievements of the Florida aborigines, describes and pictures 116 of these masterpieces. A brief history of the consequences of European infiltration and later investigations by explorers and archaeologists sets the stage for consideration of the works themselves. They date from the Paleoindian period (ca. 9500-8000 B.C.) to the mid-sixteenth century and include utilitarian creations, instruments of personal adornment and magic, and objects indicating status, paying homage to ancestors, or aiding the dead in their journey into the next world.

"A superbly readable piece of cultural history. . . . Downs proves that graphics and narrative can be intertwined in an entertaining and informative historical presentation. . . . Delightful and intellectually enriching."--Southern Historian "Excellent. . . . Well-documented with both historical and anthropological sources, this is the best work to appear on a significant cultural characteristic of the Seminoles in quite some time. An excellent addition to the growing literature on the Seminole and Miccosukee tribes."--Tampa Tribune "Unfolds the meaning of Seminole-Miccosukee arts as metaphor for the people of the Everglades."--Joyce Herold, Denver Museum of Natural History The artistic tradition that in the past sustained Florida Indians helps identify them today as possessing a resilient, modern culture. In this richly illustrated account of the arts and crafts of the Florida Seminole and Miccosukee Indians, Dorothy Downs shows how artistic expression reflects and inspires history. Emphasizing the influence of drastic cultural changes on their artistic traditions, Downs traces Seminole and Miccosukee art from the eighteenth century to the present and demonstrates both the persistence of some prehistoric southeastern Indian designs and the impact of contact with Europeans. In addition to clothing and finger-woven or bead-embroidered accessories, their arts and crafts--most often practiced by women--include pottery, basketry, and doll making. Their most powerful artistic expression is found in the colorful and intricate patchwork patterns that have become their twentieth-century signature. Incorporating color and black-and-white photographs of these remarkable art pieces, Downs also details the "men's work" of silver and wood crafts and chickee building in a volume sure to interest scholars and the general public alike.

Presented in full color, this collection of examples from Florida artists attests to an intensely personal yet universal desire for self-expression.