Bhanu Athaiya is the revered doyenne of Indian costume designers...For the benefit of future generations of filmmakers, film lovers and designers, it is important to document the landmark work done by someone with such knowledge, vision and passion. To beloved Bhanu I send my heartfelt congratulations on this splendid book. - From the Foreword by Lord Richard AttenboroughBhanu Athaiya began her career in costume design in 1953. Over the next 56 years she built an extraordinary body of work that defined the aesthetics of costume design in Hindi cinema. Name any iconic look and Bhanu was behind it, whether it was Waheeda Rehman in Guide, Mumtaz in Brahmachari or Zeenat Aman in Satyam Shivam Sundaram. She has to her credit an amazing repertoire of 130 films and has worked with every director and producer of consequence, including Raj Kapoor, Guru Dutt, B.R. Chopra, Yash Chopra, F.C. Mehra, Sunil Dutt, Dev Anand, Randhir Kapoor and Ashutosh Gowariker. In this book, Bhanu recounts the eventful story of her life and her deep passion for creativity in design. She takes you through a fascinating journey, beginning with the classic look of the black and white era, moving on to the age of Technicolor typified by box-office hits like Sangam, Ganga Jumna and Waqt, and then to her more contemporary work in Lagaan and Swades. The book culminates in the story of the Oscar for the costume design of Gandhi-the first such distinction won by an Indian.This is a classic work on the pioneering vision of a person who shaped the landmarks of Indian film costumes, set the fashion trend of the 1960s and 70s, and won Indian cinema the highest acclaim in the international arena.

100 Iconic Bollywood Costumes is a definitive guide to these colorful silver screen outfits and more Beautifully illustrated and a must-buy for fans and scholars of women's fashion and Bollywood cinema Full of insider know-how from designer legends such as Manish Malhotra 100 Iconic Bollywood Costumes is a celebration of fashion in Indian cinema, studded with beautiful illustrations of India's most enduring glam icons. It pays tribute to the colorful silver screen looks that have not only come to define their lms and actresses, but have also shaped the way millions of Indian women view style: Madhubala's classic Anarkali in Mughal-e-Azam (1960), Kajol's tomboy chic in Kuch Kuch Hota Hai (1998), Kareena Kapoor's game-changing Patialas in Jab We Met (2007), and many more. Packed with insider know-how on the creative processes behind these influential costumes - from designer legends such as Manish Malhotra to the stylish performers themselves - 100 Iconic Bollywood Costumes is a must-have for both fans and scholars of women's fashion, Bollywood cinema, and the quintessential quirks of modern Indian culture.

"Formed within months of the 1947 Partition of India and the ensuing violence and protest, the Progressive Artists' Group (PAG) included artists seeking a break with their country's past and its cultural constraints. Through lush illustrations and scholarly essays, this volume looks at the brand of modernism the Group espoused and its relevance and importance to contemporary art. The careers of artists K.H. Ara, S.K. Bakre, H.A. Gade, V.S. Gaitonde, M.F. Husain, Krishen Khanna, Ram Kumar, Tyeb Mehta, Akbar Padamsee, S.H. Raza, Mohan Samant, and F.N. Souza are presented in three sections. Progressives in Their Time explores how the artists turned away from the trauma of colonial rule and Partition, and embraced the land and varied peoples of the new nation. National/International demonstrates how the Progressives drew on multiple traditions of visual iconography, both from within India and from Asia and the wider world, to creat their own distinct genre. Masters of the Game brings together works created after the PAG's dissolution and shows how these pieces collectively gave visual form to the idea of India as secular, heterogeneous, international, and united. A valuable examination of the ways artistic expression can preserve and advance its cultural heritage, this volume captures an exciting time in India's art history"--Back cover.

The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.

‘I wish I had never met you. You’ve been nothing but an inconvenience.’

Part kitchen-sink realism and part rumination on the nature of love, A Handbook For My Lover is a revealing and explicit memoir of a young Indian woman’s erotic affair with a photographer thirty years her senior.

With prose that is charged with intensity and sensuality, this candid exploration of love, lust and becoming heralds a provocative new talent in contemporary Indian literature – one of an independent woman unafraid of her sexuality. Rosalyn D’Mello is India’s Anais Nin.

The modern Indian woman’s journey into self-awareness through sex, heartache, desire and fulfilment has found a brave new voice in Rosalyn D’Mello.

The Hindustan Times

D’Mello lays down her only law – excess. She wants every pleasure of the flesh and she won’t apologise for it.

Elle India

About the Author

Rosalyn D’Mello is a widely published freelance art writer based in New Delhi and was the editor-in-chief of Blouin Artinfo India. She is a regular contributor to Vogue, Open, Mint Lounge, Art Review and Art Review Asia. Nominated for Forbes’ Best Emerging Art Writer Award in 2014, she was also shortlisted for the inaugural Prudential Eye Art Award for Best Writing on Asian Contemporary Art in 2014. She was associate editor of The Art Critic, a selection of the art writings of Richard Bartholomew from the 1950s to the early 1980s and was a member of the jury of the Prudential Eye Art Award 2015. A Handbook For My Lover is her first book.

Written with wit, humour and candour, Regrets, None is a rare memoir that is unafraid to bare it all. It follows veteran theatre personality Dolly Thakore's life and career -- growing up in Delhi and an assortment of Air Force stations, getting her start in theatre in college, her time in London, involvement with social issues, casting for Gandhi and filming it across India, working in radio, television and advertising while returning always to her first love, theatre. Dolly Thakore brings alive another era -- the glitz, the glamour, the struggles. She speaks candidly about love, sex, infidelity, motherhood, commitment, the ecstasy and the heartbreaks. She emerges as a true-blooded embodiment of what it means to be a strong, empowered, vulnerable, courageous (and sometimes outrageous) woman.

As a charismatic director in the Indian film industry, Chopra's name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as 'Deewaar' and 'Kabhi Kabhie'. His directorial career began in 1959 with 'Dhool Ka Phool' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including 'Dilwale Dulhaniya Le Jayenge'. He has also worked in other Hindi movie genres, directing action movies such as 'Mashaal' and a thriller, 'Darr'. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as 'Deewaar', 'Trishul', 'Kala Patthar' and 'Silsila' and how, in his transformation of the look of mainstream cinema in 'Dil To Pagal Hai' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer's book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as 'Kuch Kuch Hota Hai' and younger directors such as Karan Johar and Aditya Chopra.