Book & 2 CDs. The Art of Body Singing is: a clear singing method book for all singers of all styles of music; an easy-to-use manual for discovering your entire voice as a powerful instrument; a comprehensive guide to keeping your voice healthy and restoring a damaged voice; a series of great exercises, techniques, ideas and examples to help you to develop the potential of your singing and speaking voice. Full of great exercises, techniques, ideas and examples, both in the book and on the CDs.

Gives singers and their teachers a body mapping resource - from anatomy and physiology to body awareness - that helps them discover and correct misconceptions about the way their bodies are built and the way they function. In doing so, the book provides maps with detailed advice and exercises to use their bodies effectively.

What Every Singer Needs to Know About the Body, Fourth Edition gives singers and teachers a Body Mapping resource—from anatomy and physiology to body awareness—that helps them discover and correct misconceptions about how their bodies are designed and how they function. This book provides detailed descriptions of the structures and movements necessary for healthy and efficient body awareness, balance, breathing, phonation, resonance, articulation, and gesture. Many voice books focus on the anatomical facts, but leave singers asking, "How can I apply this to my singing?" What Every Singer Needs to Know About the Body helps to answer that question, providing practical exercises and detailed illustrations. New to This Edition: * Updated and revised content throughout the text * Bulleted review sections for each chapter * New and updated links to recommended videos * Information on Biotensegrity and how it pertains to Body Mapping, along with helpful links to resources on the subject * An expanded glossary What Every Singer Needs to Know About the Body includes audio and video recordings of the exploratory exercises. This book provides the technical foundation for singers of all styles. The authors do not espouse a single method or attempt to teach singing techniques or styles. Rather, they describe the movements of singing with accuracy and detail so that singers may experiment on their own and communicate with each other in a common language.

Vocal expression is a part of nearly everyone's workday, yet most of us are unaware of how much influence our voice exerts over our effectiveness. McAfee's work shows how we can deliberately marshal the power of our voices to support our intentions, aspirations, and relationships.

The Singing Body - A Vocalist's Companion is testimony to the fact that singing is a highly complicated act of coordination. Every single part of the body plays an important role in the act of singing, and those parts which don't function properly can hinder it. Being fully aware of one's physical functioning is an essential tool in intensifying the constructive role that the body plays. The work begins with posture, the necessary physical warm-up, widening the repertoire of movement, relaxing and strengthening muscles, breathing exercises, relaxation and the sense of balance-all of which enhance the singer's abilities. Thereafter, the book addresses topics such as movement and presence on the stage before an audience. Physical action during singing is, in essence, individual but Iris Goren's work is often conducted in a master-class, ensuring every singer gets individual attention as well as the opportunity to perform before the class.There are suggestions for diagnosing specific problems encountered by singers as they work on specific pieces. This is a highly-focused approach which works with each individual singer or performer in his/her own right. It also includes line drawings which give a very precise visual representation of the concepts and exercises proposed in the text, thus facilitating their use and understanding. There are also some specific innovations: the combination of body-work with the physical act of singing, which characterizes Goren's work with singers; and sections such as "Sensing and action according to body weight" and "Observation, listening and touch" provide diagnostic tools for understanding the problems of singers which occur during performance.The book is organized into chapters which introduce fundamental concepts, such as breathing, posture and assessment, each of which is subdivided into specific topics within the principle of the chapter. For example: Chapter 1, Posture and Stance, includes sections on grounding, physical warm-up, muscle tone, and more. Information and exercises come together to demonstrate the technique proposed and ensure fullest possible comprehension of the work.The Singing Body is distinctive in that it is not based on a particular theory of body-work (like Alexander, or Feldenkrais), but rather encompasses several decades of intensive experience of working with a multi-disciplinary approach. It takes the most important elements from a range of theories and techniques which have been found to be most relevant to this work with singers. Other writers have separated body-work from singing; but it is precisely by combining the two and working in this way that singers are helped to work correctly on the individual body and voice.