“A wide-ranging, thought-provoking, and highly readable history of Britain’s postwar Secret Intelligence Service, popularly known as MI6.” ―The Wall Street Journal From Berlin to the Congo, from Moscow to the back streets of London, these are the true stories of the agents on the front lines of British intelligence. And the truth is sometimes more remarkable than the spy novels of Ian Fleming or John le Carré. Gordon Corera provides a unique and unprecedented insight into this secret world and the reality that lies behind the fiction. He tells the story of how the secret service has changed since the end of the World War II and, by focusing on the real people and the relationships that lie at the heart of espionage, illustrates the danger, the drama, the intrigue, and the moral ambiguities that come with working for British intelligence. From the defining period of the early Cold War through modern day, MI6 has undergone a dramatic transformation from a gung-ho, amateurish organization to its modern, no less controversial, incarnation. And some of the individuals featured here, in turn, helped shape the course of those events. Corera draws on the first-hand accounts of those who have spied, lied, and in some cases nearly died in service of the state. They range from the spymasters to the agents they controlled to their sworn enemies, and the result is a “fast-paced” examination that ranges “from the covert diplomacy of the Cold War to recent security concerns in Afghanistan and the Middle East” (The Times, London).

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The Iron Curtain was not just a political concept or rhetorical device, but a tangible barrier that was rising mile by mile. It was a dangerous time for those seeking to cross it, as they would face death if they were caught. #2 The Czechoslovak army was being integrated with the Soviets, and Mašek had information on it. He was a simple man, and extracting more detail was painfully slow. But after two and a half weeks, his life had yielded up forty-five pages of double-spaced typed notes. #3 After the war, Vienna was left in a state of limbo, between life and death, East and West, for years. The city was a crossroads for those escaping the Iron Curtain and a route in for those seeking to penetrate it. #4 The Soviets unveiled a memorial to the Red Army in the central Schwarzenbergplatz. The city was a hollowed-out shell of its imperial self. The destruction was not as complete as that inflicted on Berlin, so the still-standing but skeletal façades gave the city the feel of a film or theatre set.

In Connie Berry's third Kate Hamilton mystery, American antique dealer Kate Hamilton's spring is cut short when a body turns up at the May Fair pageant. Spring is a magical time in England--bluebells massing along the woodland paths, primrose and wild thyme dotting the meadows. Antiques dealer Kate Hamilton is spending the month of May in the Suffolk village of Long Barston, enjoying precious time with Detective Inspector Tom Mallory. While attending the May Fair, the annual pageant based on a well-known Anglo-Saxon folktale, a body turns up in the middle of the festivities. Kate is even more shocked when she learns the murder took place in antiquity shop owner Ivor Tweedy's stockroom and a valuable Chinese pottery jar that she had been tasked with finding a buyer for has been stolen. Ivor may be ruined. Insurance won't cover a fraction of the loss. As Tom leads the investigation, Kate begins to see puzzling parallels between the murder and local legends. The more she learns, the more convinced she is that the solution to both crimes lies in the misty depths of Anglo-Saxon history and a generations-old pattern of betrayal. It's up to Kate to unravel this Celtic knot of lies and deception to save Ivor's business.

Draws on mid-seventeenth to nineteenth-century slave narratives to describe oppression in the lives of enslaved African women. Investigates pre-colonial West and West Central African women's lives prior to European arrival to recover the cultural traditions and religious practices that helped enslaved women combat violence and oppression.

The old masters' new masters -- Was modernism Jewish? -- In the middle -- To have and have not.

Includes section: Notes and reviews.

The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910