The Art of Accompaniment: Theological, Spiritual, and Practical Elements of Building a More Relational Church, is a resource from the Catholic Apostolate Center which assists in the development of true accompaniment within the Church Today. Building on the Church's rich history of accompaniment, The Art of Accompaniment makes theological and practical elements come to life and easily attainable.

The Art of Ballet Accompaniment: A Comprehensive Guide addresses every imaginable topic and challenge that a ballet accompanist—whether a novice or a more experienced practitioner—might encounter. More than just a facile anthology of accessible music, this inclusive guide details all aspects of playing for ballet, including a complete manual for editing piano literature to accompany ballet technique classes. Author Gerald R. Lishka encourages ballet accompanists to be imaginative, creative, independent artists who can also communicate effectively with dance instructors. In addition, he clarifies the necessary balance between the use of existing musical scores and the art of improvisation. Featuring a new foreword by Kyra Nichols, an expanded section on Lishka's personal philosophy, an updated section on barre from Alison Hennessey, and over 100 music examples, The Art of Ballet Accompaniment offers invaluable advice for all levels of pianists and accompanists.

DIVThis legendary work presents a comprehensive survey that covers every issue of significance to today's performers, with numerous musical examples, authoritative citations, and scholarly interpretations and syntheses. /div

This is a concrete, practical book about spiritual accompaniment. While there may be no shortage of books on this matter, most of these books remain somewhat abstract in the way they highlight the beauty of this ministry and point out its pitfalls. This book instead resembles a toolbox with a user’s manual. In six chapters, the author presents the following tools: ‘there is no rush’, ‘listening by following’, ‘searching for the soul’, ‘going deeper’, ‘evaluating’, and ‘accompanying towards spiritual maturity’. By means of examples and case studies, he demonstrates how these tools may be used to good effect. Two introductory chapters discuss the choice for a practice-oriented book and the core values of an Ignatian approach to spiritual accompaniment. A final chapter specifically focuses on vocational discernment. New spiritual directors can learn from this book the tricks of the trade and experienced directors can be encouraged to reflect upon their own practice. Although it is written from a Roman Catholic, Jesuit background, this book may be used in a wider variety of Christian contexts.

Saint Lambert's Nouveau traité de l'accompagnement de clavecin, de l'orgue, et des autres instruments of 1707 supplements his earlier harpsichord treatise, Les Principes du clavecin of 1702. The Nouveau traité is a method book specifically designed for the accompanist rather than the solo performer. It offers practical suggestions to help the accompanist play the correct harmony without having to read all the notated parts at the same time. Saint Lambert discusses accompanying from unfigured and partly figured basses, and his was one of the first attempts to codify bass progressions into specific formulas, for which he assigns appropriate harmonies. He describes possible departures from the usual rules of accompaniment and examines performance techniques used by "tasteful" accompanists in order to create not merely a correct but an artistic accompaniment. John Powell presents Saint Lambert's text in a readable English translation with musical examples in modern notation. He compares Saint Lambert's text in a readable English translation with musical examples in modern notation. He compares Saint Lambert's concepts of realization with those of contemporaneous sources and traces the influence of this treatise on later authors.