This work presents new material in the form of art, letters, and unpublished manuscripts. These documents expand our knowledge of Bartram as an explorer, naturalist, artist, writer, and citizen of the early Republic.

Reprint of 1791 ed.

"John Bartram was the greatest horticulturist and botanist of eighteenth-century America, a farmer-philosopher who won the patronage of King George III and Benjamin Franklin. His son William was a pioneering naturalist who documented his travels though the Florida wilderness in prose and drawings that inspired a generation of romantic poets." "As he follows the Bartrams through their respective careers - and through the tenderness and disappointment of the father-son relationship - Slaughter examines the ways in which each viewed the natural world: as a resource to be exploited, as evidence of divine providence, as a temple in which all life was interconnected and sacred."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

William Bartram's love of nature led him to explore the environs of the American Southeast between 1773 and 1777. Here he collected plants and seeds, kept a journal of his observations of nature, and made drawings of the plants and animals he encountered. The completed drawings were sent to his patron in London, and these make up the bulk of the collection held at London's Natural History Museum. The Art and Science of William Bartram brings together, for the first time, all sixty-eight drawings by Bartram held at the Natural History Museum, along with works by some of the most well-known natural history artists of the eighteenth and nineteenth centuries. The volume explores Bartram's writings and artwork and reveals how influential he was in American science of the period. Bartram was an inspiration to a whole generation of young scientists and field naturalists. He was an authority on the birds of North America and on the lifestyle, culture, and language of the indigenous people of the regions through which he traveled. His work influenced Wordsworth, Coleridge, and other writers and poets throughout the past two hundred years, and his drawings reveal an ecological understanding of nature that only truly developed in the latter half of the nineteenth century.

Travels Through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the Extensive Territories of the Muscogulges, or Creek Confederacy, and the Country of the Chactaws. Containing an Account of the Soil and Natural Productions of Those Regions, Together With Observations on the Manners of the Indians.

A collection of the author's works on traveling in the Southern States in 18th century, and other writings.

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.