"The Art and Politics of Arthur Szyk, based on the United States Holocaust Memorial Museum's exhibition of the same name, places the artist and his work into the context of the turbulent times in which he lived (1894-1951). This illustrated text examines how Arthur Szyk used his talent to support the Jewish people, attack their enemies, and awaken the world to the threat of Nazism."--BOOK JACKET.

A collection of twentieth century political cartoonist, Szyk.

An indispensable and timely publication on the life and work of the great Polish-Jewish-American artist-activist Arthur Szyk.

Best known among Jews for his illustrated Haggadah, Arthur Szyk was also a political artist whose work went beyond a narrow definition of the Jewish cause. In the early twentieth century he worked tirelessly to strengthen the Jews’ position in Poland; later, in the United States, he put his art at the service of the war effort, and then on behalf of the Zionist cause. A singular contribution to the history of Polish-Jewish relations and of Jewish art.

On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics. Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising? Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.

Brings together over 300 all-new cartoons from the WWII era, including over 100 by Dr Seuss, 50 by The New Yorker's Saul Steinberg and works by Al Hirschfeld, Carl Rose and Mischa Richter. The cartoons and commentary cover the five years of the war and are divided into five chapters exploring the years leading up to the war, Hitler and Germany, Hitler's Allies, The Home Front and Germany's defeat.