Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture and the production of artefacts and performance, which has helped to embed Shi'i identity in Iran as part of its national narrative. In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam? To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i? What does this say about the relationship of nation, state and faith in Iran? Here, leading experts trace the material heritage of Iranian Shi'ism within each of its political, religious and cultural dimensions.

"Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture and the production of artefacts and performance, which has helped to embed Shi'i identity in Iran as part of its national narrative. In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam? To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i? What does this say about the relationship of nation, state and faith in Iran? Here, leading experts trace the material heritage of Iranian Shi'ism within each of its political, religious and cultural dimensions."--Bloomsbury Publishing.

This study is one of the first interdisciplinary examinations of the material religion and art objects of Naser al-Din Shah's court, vis à vis popular Shiite beliefs during the Naseri period (1848-1896). The primary focus of this book remains the intercession of Shiite religion and the occurrence of depictions of the Prophet Mohammad and Imam Ali inside the royal court during the reign of Naser al-Din Shah. In this work, Pedram Khosronejad has paid special attention to the role of Naser al-Din Shah's popular Shiite values in shaping attitudes toward the depiction in portraiture of the Prophet Mohammad and Imam Ali. Khosronejad's observations further confirm Naser al-Din Shah's deep-rooted connections to popular Shiite beliefs and related superstitions. The king's devotional practices and his sacred rites regarding the objects on/in which may be seen visual representations of the Prophet Mohammad and Imam Ali, especially their portraiture, explain "deep-seated beliefs" that Shiite visual pieties were invested in his life.

Despite their distinct theological differences, Shi'a and Sunni Muslims, followers of the two main branches of Islam, share a number of core beliefs including an allegiance to and love for the Prophet Muhammad and members of his family. For Shi'a Muslims, reverence for the Prophet and allegiance to his household (Ahl al-bayt, 'People of the House'), comprising his immediate family and their descendants, constitutes an essential principle of belief that has directly impacted how Shi'i artists, rulers, patrons and ritual participants have conveyed their love and loyalty through material culture and religious ritual. The 22 essays in this volume, richly illustrated with over 200 colored images, present a diversity of beliefs and practices expressed through the arts, architecture, material culture and ritual that spans Shi'i history from the tenth century to the present day. With contributions from experts in the fields of anthropology, religious studies, art and architectural history, numismatics, film studies and contemporary art, the book also calls attention to the global diversity of the artistic and devotional expressions of Shi'a Muslims from across Trinidad, Senegal, Egypt, Syria, Iraq, Iran, Pakistan, India and China. Additionally, some essays draw upon important female Shi'i figures and female ritual practices and many chapters underscore the theme of love for the Ahl al-bayt beyond Sunni and Shi'i demarcations. This work contributes to a growing body of scholarship dedicated to the religious arts and rituals of Shi'a Muslims around the world.

This book is about Iranian Islamism on grass-roots level. It provides a vivid, near-life portrait of young activist men who uphold this movement through their zealous support of revolutionary ideals and the present regime. It is based on interviews with a group of volunteers in the Iranian home guard movement known as basij during a period of four years. By focusing on beliefs and rituals of individual persons, it gives a unique picture of the shifting motifs behind Islamist engagement in today’s Iran. The book contextualises the interviewed individuals within the wider framework of Iranian society and relates their stories to a discussion on ritual, emotion, embodiment and authority. It is of interest to anyone who seeks to understand the multifaceted driving forces behind Shi’ite Islamism today.

The Takkiyya Mu'avin al-Mulk is a building complex in the city of Kermanshah in western Iran, dedicated to the annual commemoration of the martyrdom of Husayn ibn 'Ali at the Battle of Karbala in 680, an event of seminal significance to Shi'i Islam. Private takkiyyas built by social elites were a phenomenon of the Qajar period, with their construction motivated by a political quest for legitimacy. This book examines the intersection of art and architecture, popular piety, and the politics of legitimation. Through an examination of the building and its decorative programme, it addresses issues of patronage, Shi'i iconography and popular religious practices during the early 20th century in Iran. It further argues for the role of takkiyyas in creation of a sense of community and group identity; the formative stage of the emergent idea of nationhood at the time, amongst those who frequented them.

The first textbook to focus on the history of lived Shi'ism in South Asia Everyday Shi'ism in South Asia is an introduction to the everyday life and cultural memory of Shi’i women and men, focusing on the religious worlds of both individuals and communities at particular historical moments and places in the Indian subcontinent. Author Karen Ruffle draws upon an array primary sources, images, and ethnographic data to present topical case studies offering broad snapshots Shi'i life as well as microscopic analyses of ritual practices, material objects, architectural and artistic forms, and more. Focusing exclusively on South Asian Shi'ism, an area mostly ignored by contemporary scholars who focus on the Arab lands of Iran and Iraq, the author shifts readers' analytical focus from the center of Islam to its periphery. Ruffle provides new perspectives on the diverse ways that the Shi'a intersect with not only South Asian religious culture and history, but also the wider Islamic humanistic tradition. Written for an academic audience, yet accessible to general readers, this unique resource: Explores Shi’i religious practice and the relationship between religious normativity and everyday religious life and material culture Contextualizes Muharram rituals, public performances, festivals, vow-making, and material objects and practices of South Asian Shi'a Draws from author's studies and fieldwork throughout India and Pakistan, featuring numerous color photographs Places Shi'i religious symbols, cultural values, and social systems in historical context Includes an extended survey of scholarship on South Asian Shi’ism from the seventeenth century to the present Everyday Shi'ism in South Asia is an important resource for scholars and students in disciplines including Islamic studies, South Asian studies, religious studies, anthropology, art history, material culture studies, history, and gender studies, and for English-speaking members of South Asian Shi'i communities.