"The masterpieces discussed in these chapters are depicted in 217 illustrations, most of them full-color photographs, and following the main text is a visual guide to Iraq's principal archaeological sites, which provides a further 247 black-and-white photographs, maps, and plans. With its authoritative, up-to-date text and this wealth of illustrations, The Art and Architecture of Mesopotamia is an invaluable publication for anyone with an interest in humanity's cultural heritage."--BOOK JACKET.

In this fascinating and compelling book, Zainab Bahrani introduces readers to the spectacular images and monuments of this region of the Near East, covering modern Iraq, northeast Syria and southeast Turkey. As the narrative unfolds, readers will learn about the art of the legendary civilizations that flourished between the Tigris and the Euphrates rivers, and how it was made and received. She addresses the present-day situation in these lands and the violent destruction that continues to threaten the rich cultural heritage of Mesopotamia. Chapter-opening maps and overviews guide readers through the geography and chronology of Mesopotamia, visiting the ancient cities of Ur, Babylon, Nineveh, Hatra and Seleucia on the Tigris. The book includes a glossary that defines all art-historical and technical terminology.

This expert guide to the art of Mesopotamia, spanning more than 8000 years, is especially important as this ancient cultural legacy is threatened by contemporary conflict

Mesopotamia, in modern-day Iraq, was home to the remarkable ancient civilizations of Sumer, Akkad, Babylonia, and Assyria. From the rise of the first cities around 3500 BCE, through the mighty empires of Nineveh and Babylon, to the demise of its native culture around 100 CE, Mesopotamia produced some of the most powerful and captivating art of antiquity and led the world in astronomy, mathematics, and other sciences—a legacy that lives on today. Mesopotamia: Civilization Begins presents a rich panorama of ancient Mesopotamia’s history, from its earliest prehistoric cultures to its conquest by Alexander the Great in 331 BCE. This catalogue records the beauty and variety of the objects on display, on loan from the Louvre’s unparalleled collection of ancient Near Eastern antiquities: cylinder seals, monumental sculptures, cuneiform tablets, jewelry, glazed bricks, paintings, figurines, and more. Essays by international experts explore a range of topics, from the earliest French excavations to Mesopotamia’s economy, religion, cities, cuneiform writing, rulers, and history—as well as its enduring presence in the contemporary imagination.

Church Architecture of Late Antique Northern Mesopotamia examines the church architecture of Northern Mesopotamia between the fourth and eighth centuries. Keser Kayaalp focuses on settlements, plan types, artistic encounters, the remarkable continuity of the classical tradition in the architectural decoration, the heterogeneity of the building techniques, patrons, imperial motivations, dedications of churches, and stories that claim and make spaces. Employing archaeological and epigraphical material and hagiographical and historical sources, she presents a holistic picture of the church architecture of this frontier region, encompassing the cities of Nisibis (Nusaybin), Edessa (,Sanliurfa), Amida (Diyarbakir), Anastasiopolis (Dara/Oğuz), Martyropolis (Silvan), Constantia (Viranşehir), and their surroundings, and the rural Tur Abdin region. The period covered spans the last centuries of Byzantine and the first century and a half of Arab rule, when the region was, on the one hand, a stage of war and riven by religious controversies, and a cultural interspace on the other. Keser Kayaalp discusses the different dynamics in this frontier region and the resulting built environment and church architecture in pursuit of providing a regional contribution to the study of the transformation that the Byzantine civilization underwent in the late antique period and understanding the continuities and changes after the Arab conquest.

Likely to become a standard work for students of the ancient Near East, and for those interested in the high cultures of the region, this account is also a highly accessible repository of information valuable to archaeologists, anthropologists, etc