Louis Marchant--artist of our generation. More like the most arrogant artist of our generation. The man looks like Michelago has carved him with his bare hands. Kissable soft lips. The perfect amount of five o'clock shadow stretched across his square jaw. Add in that delicious French accent and oh là là. And then there's his giant... Um, never mind, it's still connected to him. No amount of magnificence can take away the fact that he's the most arrogant man in the history of France--no, the world. He also happens to be my new boss.** Previously released as Love in Colour **

A quandary for John Mannering (aka ‘The Baron’). A young brash artist is found half-dead, with a noose around his neck, on the same day he had attempted to get Mannering to finance his career. The artist's terrified girlfriend desperately seeks help. Has the man tried to kill himself, or is it a case of attempted murder?

L’artiste au double visage, l’amant aux mille talents ! Anticonformiste et sexy à en mourir, Dante ne passe pas inaperçu et ne se laisse pas approcher facilement. Mais Jane, qu’il a croisée au mariage de son meilleur ami, réveille en lui des envies et des désirs enfouis. Pétillante et lumineuse, la jeune femme lui offre des nuits torrides et des étreintes brûlantes. Mais les ombres du passé de Dante ne sont jamais loin et menacent ce bonheur tout neuf… Arrogant Artist de Phoebe Campbell, histoire intégrale. Ce roman a précédemment été publié sous les titres Oui, je le veux ! et Sexy Player.

"Austrian artist Egon Schiele comes to life in a narrative that defies convention, history, and identity. A self-professed genius and student of August Klimt, Scott's Schiele repeatedly challenges the boundaries of early twentieth-century Europe. Thrown in jail on charges of immorality, Schiele's Mephistophelean reputation only grows in stature until at the age of twenty-eight, the artist dies in the Great Flu Pandemic. Told from a crosscurrent of voices, viewpoints and times."--page 4 of cover.

A comprehensive reinterpretation of the pioneering and media-savvy artist The modern artist strives to be independent of the public's taste—and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press. The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell—and not only make—his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider. Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists.

In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period.