Thomas E. Sheridan has spent a lifetime in Arizona, "living off it and seeking refuge from it." He knows firsthand its canyons, forests, and deserts; he has seen its cities exploding with new growth; and, like many other people, he sometimes fears for its future. In this book, Sheridan sets forth new ideas about what a history should be. Arizona: A History explores the ways in which Native Americans, Hispanics, and Anglos have inhabited and exploited Arizona from the pursuit of the Naco mammoth 11,000 years ago to the financial adventurism of Charles Keating and others today. It also examines how perceptions of Arizona have changed, creating new constituencies of tourists, environmentalists, and outside business interests to challenge the dominance of ranchers, mining companies, and farmers who used to control the state. Sheridan emphasizes the crucial role of the federal government in Arizona's development throughout the book. As Sheridan writes about the past, his eyes are on the inevitable change and compromise of the present and future. He balances the gains and losses as global forces interact more and more with local cultural and environmental factors.

The Lou Conter Story: From USS Arizona Survivor to Unsung American Hero tells the incredible story of one of the last remaining survivors of the USS Arizona. More than just a recollection of the events that transpired in Pearl Harbor, Hawaii, on December 7, 1941, this book also records the author's memorable experiences before and after the Day of Infamy. Conter was on the USS Arizona deck when a Japanese armor-piercing bomb hit one million pounds of gunpowder stored in the ship's hull. He helped rescue crewmen following the explosion and dove into the wreckage to recover bodies in the days after. In 1942, Conter went to flight school where he earned his wings and became a VP-11 Black Cat pilot. He helped rescue over two hundred Australian Coastwatchers stranded in northern New Guinea and was shot down twice -- once swimming with his crew while sharks circled. Conter also helped rescue over two hundred Australian shore watchers up the Sepik River in New Guinea. After World War II, he became an intelligence officer, flew combat in Korea, created the Navy's first SERE program (survival, evasion, resistance, and escape), and served as a military advisor to presidents Eisenhower, Kennedy, and Johnson. Lou Conter shares his Pearl Harbor experiences with high school students throughout Northern California, and he returns to the USS Arizona every December to take part in National Pearl Harbor Remembrance Day activities to honor and remember the 2,403 service members and civilians who were killed during the Japanese attack at Pearl Harbor. In 2019, Conter was one of only three remaining crew members out of the 335 who had survived the attack on the USS Arizona. He was the only survivor able to attend the memorial event.

Tells the history of the land and its people: the outlaws and prospectors, Apache and Navajo, cowboys and cattle rustlers, Mormons and Spanish who lived and died on Arizona soil.

"From geological origins and ancient peoples to high-tech industries and world-class golf resorts; from Spanish missions and mining boomtowns to ranching, tourism, and Navajo Code Talkers; from Monument Valley to the Tonto Basin to the Mexican border ... all celebrate the beauty of this majestic state!"--Back cover.

It seemed like a simple plan—visit fifty-two places in fifty-two weeks. But for author Ken Lamberton, a forty-five-year veteran of life in the Sonoran Desert, the entertaining results were anything but easy. In Chasing Arizona, Lamberton takes readers on a yearlong, twenty-thousand-mile joyride across Arizona during its centennial, racking up more than two hundred points of interest along the way. Lamberton chases the four corners of Arizona, attempts every county, every reservation, and every national monument and state park, from the smallest community to the largest city. He drives his Kia Rio through the longest tunnels and across the highest suspension bridges, hikes the hottest deserts, and climbs the tallest mountain, all while visiting the people, places, and treasures that make Arizona great. In the vivid, lyrical, often humorous prose the author is known for, each destination weaves together stories of history, nature, and people, along with entertaining side adventures and excursions. Maps and forty-four of the author’s detailed pencil drawings illustrate the journey. Chasing Arizona is unlike any book of its kind. It is an adventure story, a tale of Arizona, a road-warrior narrative. It is a quest to see and experience as much of Arizona as possible. Through intimate portrayals of people and place, readers deeply experience the Grand Canyon State and at the same time celebrate what makes Arizona a wonderful place to visit and live.

. . . we move to the town of Aconchi on the Río Sonora, where the mission church once contained a life-sized crucifix with a black corpus, known both as Nuestro Señor de Esquipulas . . . and El Cristo Negro de Aconchi . . . So describes well-known and beloved folklorist James S. Griffith as he takes us back through the decades to a town in northern Sonora where a statue is saved—and in so doing, a community is saved as well. In Saints, Statues, and Stories Griffith shares stories of nearly sixty years of traveling through Sonora. As we have come to expect through these journeys, “Big Jim”—as he is affectionately known by many—offers nothing less than the living traditions of Catholic communities. Themes of saints as agents of protection or community action are common throughout Sonora: a saint coming out of the church to protect the village, a statue having a say in where it resides and paying social calls to other communities, or a beloved image rescued from destruction and then revered on a private altar. A patron saint saves a village from outside attackers in one story—a story that has at least ten parallels in Sonora’s former mission communities. Details may vary, but the general narrative remains the same: when hostile nonbelievers attack the village, the patron saint of the church foils them. Griffith uncovers the meanings behind the devotional uses of religious art from a variety of perspectives—from artist to audience, preservationist to community member. The religious artworks transcend art objects, Griffith believes, and function as ways of communicating between this world and the next. Setting the stage with a brief geography, Griffith introduces us to roadside shrines, artists, fiestas, saints, and miracles. Full-color images add to the pleasure of this delightful journey through the churches and towns of Sonora.