In the aftermath of the Holocaust, Jewish historian Zosa Szajkowski gathered up tens of thousands of documents from Nazi buildings in Berlin, and later, public archives and private synagogues in France, and moved them all, illicitly, to New York. In The Archive Thief, Lisa Moses Leff reconstructs Szajkowski's story in all its ambiguity. Born into poverty in Russian Poland, Szajkowski first made his name in Paris as a communist journalist. In the late 1930s, as he saw the threats to Jewish safety rising in Europe, he broke with the party and committed himself to defending his people in a new way, as a scholar associated with the YIVO Institute for Jewish Research. Following a harrowing 1941 escape from France and U.S. army service, Szajkowski struggled to remake his life as a historian, eking out a living as a YIVO archivist in postwar New York. His scholarly output was tremendous nevertheless; he published scores of studies on French Jewish history that opened up new ways of thinking about Jewish emancipation, modernization, and the rise of modern antisemitism. But underlying Szajkowski's scholarly accomplishments were the documents he stole, moved, and eventually sold to American and Israeli research libraries, where they remain today. Part detective story, part analysis of the construction of history, The Archive Thief offers a window into the debates over the rightful ownership of contested Jewish archives and the powerful ideological, economic, and psychological forces that have made Jewish scholars care so deeply about preserving the remnants of their past.

In the aftermath of the Holocaust, Jewish historian Zosa Szajkowski gathered up tens of thousands of documents from Nazi buildings in Berlin, and later, public archives and private synagogues in France, and moved them all, illicitly, to New York. In The Archive Thief, Lisa Moses Leff reconstructs Szajkowski's story in all its ambiguity.

In an unusual twist of inheritance law, Cassandra Havelock becomes Countess of Worthing in her own right on her father's death, and sole owner of his grand home and vast estates and fortune. However, she is only twenty years old, and her well-meaning relatives and guardians rally around to protect her and run her property for her. Their primary concern is to help her make a brilliant match with a man who can take all the burden of managing her inheritance off her shoulders. But Cassandra is about to turn twenty-one, and she has planned a magnificent birthday ball to celebrate the end of her year of mourning and her independence. She intends to take full charge of her own life, and she can do that only if she remains single. Nigel Wetherby, Viscount Wroxley, has looked forward to the birthday ball quite as eagerly as Cassandra, though he has never met her, is quite unknown to her, and has not been invited. The occasion represents the fulfilment of all he has dreamed of for years. He introduces himself on the day of the ball as a dear friend of Cassandra's late father and she is delighted to invite him to the ball. It is soon obvious to her alarmed relatives, however, that this handsome, charming stranger, who is fast weaving a seductive spell about their charge, has some mysterious agenda of his own. Too late Cassandra realizes that in her naivete she may have been duped by a villain. And too late Nigel understands that in breaking her heart he may also be breaking his own. But...is it ever too late for love to play a hand in this game?

JACKSON/THIEF AT THE END OF THE WOR

Mr. Hood's Holiday House has stood for a thousand years, welcoming countless children into its embrace. It is a place of miracles, a blissful rounds of treats and seasons, where every childhood whim may be satisfied... There is a price to be paid, of course, but young Harvey Swick, bored with his life and beguiled by Mr. Hood's wonders, does not stop to consider the consequences. It is only when the House shows it's darker face — when Harvey discovers the pitiful creatures that dwell in its shadows — that he comes to doubt Mr. Hood's philanthropy. The House and its mysterious architect are not about to release their captive without a battle, however. Mr. Hood has ambitious for his new guest, for Harvey's soul burns brighter than any soul he has encountered in a thousand years...

Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions. The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel; an account of his impoverished travels across 1930s Europe. The narrator is guilty of vagrancy, petty theft and prostitution, but his writing transforms such degradations into an inverted moral code, where criminality and delinquency become heroic. With a holy trinity of his own making - homosexuality, theft and betrayal - in The Thief's Journal Genet produced a startlingly powerful novel without precedent. Includes a new introduction by Ahdaf Soueif.

In The Odyssey of an Apple Thief, Moishe Rozenbaumas (1922–2016) recounts his fascinating life, from his Lithuanian boyhood, to the fraught experiences that take him across Europe and Central Asia and back again, to his daring escape from Soviet Russia to build a new life in Paris. Along the way, we get a rarely seen portrait of the lives of working-class Jewish youth in Telz/Telsiai, a religious town renowned for its yeshiva. We hear of the games children played, the theft of apples from a Catholic orchard, and Rozenbaumas’s early apprenticeship as a tailor once his father leaves the country. The war breaks out and the teenaged Rozenbaumas flees Lithuania alone, unable to convince his mother and sibling to go with him. We learn of his life as a starved refugee in an Uzbek kolkhoz, his escape into the Red Army, and his unlikely work in the reconnaissance unit of the Soviet Army. After the war, Rozenbaumas is drafted into the Marxist-Leninist university and as a cadre of the Communist Party, ultimately escaping in 1956 with his family to Paris, where he and his wife give an openly Jewish education to their children. In the vast literature of memory written by Jewish witnesses before, during, and after WWII, Rozenbaumas’s account stands out for the singularity of his experience and for his deft narration of events of mythological dimension from a personal perspective. The Odyssey of an Apple Thief offers not only invaluable testimony of this historical moment but also an illuminating and original portrait of Lithuanian Jews in the twentieth century.