Is it better for a martini to be shaken, not stirred? Does it matter which order you add the ingredients of a Long Island Iced Tea? How many ice cubes can you add to a margarita without compromising the flavour?

On the evening of 4 August 2011, Mark Duggan was shot and killed by the police in the north London neighborhood of Tottenham after the minicab in which he was traveling was pulled over by a team of undercover officers. The team had begun following Duggan shortly after receiving intelligence that he was in possession of a gun, and the officer who shot him testified that he had seen, for a "split second," Duggan aiming the gun at him after he had exited the minicab. However, the gun was not found next to Duggan's body on the pavement. According to the police, they discovered it in a patch of grass some seven meters away.After a coroner's inquest ruled Duggan's killing "lawful" and the police watchdog organization issued a report siding with the officers' version of events, the Duggan family's legal team commissioned Forensic Architecture to conduct an investigation into the critical question at the heart of the case: How did the gun end up in the grass? With no video footage of the shooting itself, Forensic Architecture had to rely primarily on the written and oral testimony of the officers involved to develop a spatial investigation designed to test the plausibility of the police's narrative and to examine whether the officers themselves could have planted the gun.In addition to detailing the methodologies employed and conclusions reached by Forensic Architecture, this volume offers a selection of the primary documents used for the investigation; an introduction by EyalWeizman, director of Forensic Architecture, analyzing the notions of "pre-emption" and "split-second decision making," which are often invoked to defend police killingsof Black people; a roundtable with scholar Adam Elliott-Cooper, activists Temi Mwale and Stafford Scott, and attorney Marcia Willis Stewart on the complex colonial and legal histories that have shaped the policing of Black Britons in the postwar era; and the transcript of a speech by Scott on the struggle for justice for those who have died as a result of racialized policing.

Master 75 classic shots by following an architectural blueprint of the precise layering to construct the "perfect" shooter. The perfect home begins with a blueprint and a dream, and the perfect shot should start the same way! The Architecture of the Shot will reveal the answers to all your burning shot and shooter queries and more. Focusing on the precise measurements to help you craft the perfect shot as well as the recommended garnish and embellishments, you'll no longer have to guess what the perfect shooter should taste like. Laying out the exact measurements from the bottom of your shot glass to the top, you'll discover the order which you should layer your liquors, the precise measurements needed, and even recommended brands. Drink expert Paul Knorr provides you with 75 different shot and shooter recipes while Melissa Wood illustrates unique blueprint-inspired design (including specifications, notes, and embellishments), making this the perfect gift for the party lover in your life. Don't waste another minute on watered-down shots. Become a shot master with this beautifully illustrated guide.

Essential for professional commercial photographers but with appeal for anyone who enjoys architectural photography, this book explains how to build better light indoors while finding the optimal positions for capturing images. Beginning with advice on understanding angles, controlling perspective, and becoming familiar with the tools necessary for capturing interiors, this guidebook then progresses onto explanations of various types of light, methods for manipulating them, and circumstances under which different lights should be utilized. Also included throughout the book are example shots of homes, businesses, and public spaces followed from start to finish, illustrating the challenges of the shoot, how these problems were solved, and any work that required editing after the shoot.

Architectural photography is more than simply choosing a subject and pressing the shutter-release button; it's more than just documenting a project. An architectural photograph shows the form and appeal of a building far better than any other medium. With the advent of the digital photographic workflow, architects are discovering exciting new opportunities to present and market their work. But what are the ingredients for a successful architectural photograph? What equipment do you need? How can you improve your images in your digital darkroom? Why does a building look different in reality than in a photographic image? In this book you will find the answers to these questions and much more. Author Adrian Schulz-both an architect and a photographer by training-uses real-world projects to teach you how to: Capture outstanding images of buildings, inside and out Choose the right equipment and use it effectively Compose architectural shots Work with ambient and artificial light Process images in an efficient workflow based on Adobe Photoshop This book is a step-by-step guide to architectural photography for both the aspiring amateur photographer interested in architectural photography and the professional photographer wanting to expand his skills in this domain. Moreover, architects themselves will find this book motivating and inspiring. This second edition has been extensively revised and includes 80 new images and illustrations, as well as an expanded chapter on shooting interior spaces. Also included is an updated discussion of post-processing techniques and the latest technical developments in the world of photography. With this book, you will learn a variety of creative tips, tricks, and guidelines for making the perfect architectural image.

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.

"The work of Polhemus Savery DaSilva Architects Builders reflects the special qualities of Cape Cod, Martha's Vineyard, and Nantucket." "Architecture of the Cape God Summer presents more than ten years of evocative design and well-crafted construction that is rooted in this tabled place. In an architectural world increasingly polarized between strict revivalist classicism and "avant-grade" abstraction, the work of Polhemus Savery DaSilva displays a compelling third way." "The book features twenty-five projects that range from modest to elaborate. Each is an individual creation tailored to its specific location and client. Several additional projects are depicted in a chronology of the firm's major work. Drawings by the firm and more that four hundred color photography by leading architectural photographers illustrate this sixth volume of the New Classicists series."--BOOK JACKET.