John Russell Pope is considered one of America's finest and most important classical architects, and this illustrated book, long overdue, is the first comprehensive survey of his work. This definitive study, comprising mainly projects dating from 1910 to 1937, includes the Jefferson Memorial, the National Gallery of Art, Constitution Hall, the National Archives, and the Temple of the Scottish Rite in Washington, D.C.

Essential Colonial Revival–style stone houses in bucolic settings—on hillsides, beside streams—and their inviting interiors, by the architect who popularized the beloved form. Stone Houses showcases a beloved kind of home that many of us aspire to own and live in—a place of warmth and security, of charm and romance. The stone house speaks to a very basic dream of stability and comfort, and the houses featured here represent the epitome of this dream. Built in traditional styles with artful construction and considered design between 1904 and 1943, these gems display the hallmarks we associate with the stone house, here polished and beautifully presented: deep fireplaces, thick beamed ceilings, wide plank floors, and country kitchens. Focusing on the work of the eminent architect R. Brognard Okie, who is credited with having greatly contributed to a popular appreciation and understanding of early American domestic architecture and who has had a lasting impact on American residential design, this book will both enchant the reader and serve as an unprecedented resource.

"This book presents for the first time a comprehensive overview of the seminal early work of a century of American architects--including Richard Morris Hunt, H. H. Richardson, Raymond Hood, and Charles Follen McKim--who studied at the prestigious and influential École des Beaux-Arts, Paris, before going on to design and build many of this nation's most important buildings and monuments."--Cover, page [4].

A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture’s place in the contemporary moment “Architecture begins to matter,” writes Paul Goldberger, “when it brings delight and sadness and perplexity and awe along with a roof over our heads.” In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant’Ivo in Rome as a work that “embraces the deepest complexities of human imagination.” In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson’s academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.