* I.M. Kadri was one of India's most prolific architects, instrumental in designing and building important landmarks in India and abroad* The Architecture of I.M. Kadri is a portfolio and a detailed analysis about building concepts and architecture in India* The book is illustrated with special photography by Rajesh Vora and includes hand-drawings by Kadri himself The Architecture of I.M. Kadri traces the body of work of Iftikhar M. Kadri, founder, partner and principal architect of IMK Architects, who began his practice in Mumbai in the 1950s. As an architect who shaped his practice largely in the early decades after India's independence, in the commercial capital of a young nation, he contributed greatly to the design of emerging typologies like the high-rise apartment, the office tower and the hospitality industry in Mumbai and India, going on to build in the Middle East, Hong Kong, Tajikistan, Malaysia, and so on. Kadri's career charts not only an important journey in India's history, but he is also someone who contributed to the discourses on Modern and Traditional architecture in India, working within the forces of real estate and commerce, and with state, private and corporate clients. His works help us open the debates on what is the role of architecture, its ideas of beauty and strength, its existence within the world of politics and economics.Contents: Foreword by Peter Scriver; Five decades of change; A convergence of architectural idioms; Building life in a metropolis; Designing the urban home; The question of beauty; Transitions in architecture; The journey of life; Portfolio of drawings; Project chronology.

As the first inclusive study of how women have shaped the modern Indian built environment from the independence struggle until today, this book reveals a history that is largely unknown, not only in the West, but also in India. Educated in the 1930s and 1940s, the very first women architects designed everything from factories to museums in the post-independence period. The generations that followed are now responsible for metro systems, shopping malls, corporate headquarters, and IT campuses for a global India. But they also design schools, cultural centers, religious pilgrimage hotels, and wildlife sanctuaries. Pioneers in conserving historic buildings, these women also sustain and resurrect traditional crafts and materials, empower rural and marginalized communities, and create ecologically sustainable architectures for India. Today, although women make up a majority in India’s ever-increasing schools of architecture, it is still not easy for them, like their Western sisters, to find their place in the profession. Recounting the work and lives of Indian women as not only architects, but also builders and clients, opens a new window onto the complexities of feminism, modernism, and design practice in India and beyond. Set in the design centers of Mumbai and Delhi, this book is also one of the first histories of architectural education and practice in two very different cities that are now global centers. The diversity of practices represented here helps us to imagine other ways to create and build apart from "starchitecture." And how these women negotiate tradition and modernity at work and at home is crucial for understanding gender and modern architecture in a more global and less Eurocentric context. In a country where female emancipation was important for narratives of the independence movement and the new nation-state, feminism was, nonetheless, eschewed as divisive and damaging to the nationalist cause. Class, caste, tradition, and family restricted—but also created—opportunities for the very first women architects in India, just as they do now for the growing number of young women professionals today.

The Expo Book: A Guide to the Planning, Organization, Design & Operation of World Expositions

Rahul Mehrotra is the founder of RMA Architects, which emerged in Mumbai in 1990 and has studios in Mumbai and Boston. Currently he is the chair of the Department of Urban Planning and Design at Havard GSD and has had a long-term engagement with and analyses of urbanism in India which has given rise to a new conceptualization of the city. The Kinetic City, the counterpart to the Static City familiar to most of us from conventional city maps, is perceived in terms of patterns of occupation and associative values attributed to space. The framework is established in this publication by Rahul Mehrotra's anchor essay, which draws out its potential to "allow a better understanding of the blurred lines of contemporary urbanism and the changing roles of people and spaces in urban society." The emerging urban Indian condition, of which the Kinetic City is symbolic, is examined in this publication through this anchor essay as well as an expansive complimentary photo essay. The theory is solidified by a series of essays from different points of Rahul Mehrotra's career as an architect, urban designer and educator. From case studies such as 'Evolution, Involution and the City's Future; A Perspective on Bombay's Urban Form', to more generally appliable ruminations such as 'Our Home in the World', the book will offer an in-depth look at the last thirty years of theory behind Mehrotra's work.

Following the inaugural FABRICATE conference 2011 in London, the most important forum for international discussion on digital fabrication in architecture has resumed by Fabio Gramazio and Matthias Kohler at ETH Zurich. In contrast to the projects presented in 2011 at the Bartlett School of Architecture, which were balanced between practice and research, the questions about design and materialisation in architecture, construction, engineering, manufacturing, material and software design currently seem to be driven more by research institutions and young start-up entrepreneurs than by architectural practice. While digital fabrication technologies are becoming common practice in architecture for prototyping as well as in the realisation of buildings, contemporary research does not just investigate their further development, but presents ways to integrate them already in an early design phase to definitely overcome the still prevalent separation of design and making.

A collection of writing about design from the influential, eclectic, and adventurous Design Observer. Founded in 2003, Design Observer inscribes its mission on its homepage: Writings about Design and Culture. Since its inception, the site has consistently embraced a broader, more interdisciplinary, and circumspect view of design's value in the world—one not limited by materialism, trends, or the slipperiness of style. Dedicated to the pursuit of originality, imagination, and close cultural analysis, Design Observer quickly became a lively forum for readers in the international design community. Fifteen years, 6,700 articles, 900 authors, and nearly 30,000 comments later, this book is a combination primer, celebration, survey, and salute to a certain moment in online culture. This collection includes reassessments that sharpen the lens or dislocate it; investigations into the power of design idioms; off-topic gems; discussions of design ethics; and experimental writing, new voices, hybrid observations, and other idiosyncratic texts. Since its founding, Design Observer has hosted conferences, launched a publishing imprint, hosted three podcasts, and attracted more than a million followers on social media. All of these enterprises are rooted in the original mission to engage a broader community by sharing ideas on ways that design shapes—and is shaped by—our lives. Contributors include Sean Adams, Allison Arieff, Ashleigh Axios, Eric Baker, Rachel Berger, Andrew Blauvelt, Liz Brown, John Cantwell, Mark Dery, Michael Erard, Stephen Eskilson, Bryan Finoki, Kenneth FitzGerald, John Foster, Steven Heller, Karrie Jacobs, Meena Kadri, Mark Lamster, Alexandra Lange, Francisco Laranjo, Adam Harrison Levy, Mimi Lipson, KT Meaney, Thomas de Monchaux, Randy Nakamura, Phil Patton, Maria Popova, Rick Poynor, Louise Sandhaus, Dmitri Siegel, Martha Scotford, Adrian Shaughnessy, Andrew Shea, John Thackara, Dori Tunstall, Alice Twemlow, Tom Vanderbilt, Véronique Vienne, Alissa Walker, Rob Walker, Lorraine Wild, Timothy Young

Working in Mumbai is a critical reflection on thirty years of the practice of RMA Architects. Rahul Mehrotra weaves a narrative to connect his multiple engagements in architectural practice, including teaching, research, documenting, writing and exhibiting since the establishment of the practice in 1990. The book is structured around the subjects of interior architecture, critical conservation, and work and living spaces that straddle the binaries of the global and the local as well as the rural and the urban. While the book is a portfolio of the selected works of RMA Architects, the projects are curated so as to unravel and clarify the challenges faced by architects in India and in several parts of the ?majority? world where issues related to rapid urbanization and the impacts of global capital are among the many that dispute conventional models of practice. Working in Mumbai is used emblematically to interrogate the notion of context and understand how the practice evolved through its association with the city of Bombay/Mumbai.