As one of the most significant economic innovations in prehistory, hunting architecture radically altered life and society for hunter-gatherers. The development of these structures indicates that foragers designed their environments, had a deep knowledge of animal behavior, and interacted with each other in complex ways that reach beyond previous assumptions. Combining underwater archaeology, terrestrial archaeology, and ethnographic and historical research, The Architecture of Hunting investigates the creation and use of hunting architecture by hunter-gatherers. Hunting architecture—including blinds, drive lanes, and fishing weirs—is a global phenomenon found across a broad spectrum of cultures, time, geography, and environments. Relying on similar behaviors in species such as caribou, bison, guanacos, antelope, and gazelles, cultures as diverse as Sami reindeer herders, the Inka, and ancient bison hunters on the North American plains have employed such structures, combined with strategically situated landforms, to ensure adequate food supplies while maintaining a nomadic way of life. Using examples of hunting architecture from across the globe and how they influence forager mobility, territoriality, property, leadership, and labor aggregation, Ashley Lemke explores this architecture as a form of human niche construction and considers the myriad ways such built structures affect hunter-gatherer lifeways. Bringing together diverse sources under the single category of “hunting architecture,” The Architecture of Hunting serves as the new standard guide for anyone interested in hunter-gatherers and their built environment.

A collection of Hunt's essays, many previously unpublished, dealing with the ways in which men and women have given meaning to gardens and landscapes, especially with the ways in which gardens have represented the world of nature "picturesquely".

The history of an architectural firm.

Most books on the history of gardens describe the way that gardens have been created; by contrast, The Afterlife of Gardens examines the way that gardens have been experienced. Using examples from many sites around the world, John Dixon Hunt examines responses to gardens, from Renaissance sites to Baroque creations to modern motorway landscaping. Examining how a garden has been experienced extends its history beyond the physical into cultural terms, and the author describes how this ‘afterlife’ of gardens, as they are understood and experienced by many generations, is often ‘redesigned’ in visitors’ imaginative and cultural responses. The author looks at many aspects of the subject, including the enigmatic Hypnerotomachia Polifili of 1499; part fictional narrative and part scholarly treatise, this fascinating early narrative of garden reception paves the way for an exploration of subsequent landscapes and their reception in later periods. He also looks at Italian Renaissance gardens; the Picturesque; the architectural and inscriptional elements of gardens; the ways experiences of gardens have been recorded; and the different kinds of movement within gardens, from the strolling pedestrian to the motorway traveller who experiences landscapes at speed. In this ambitious new book the author shows how the complete history of a garden must extend beyond the moment of its design and the aims of the designer to record its subsequent reception. He raises questions about the preservation of historical sites, and provides lessons for the contemporary designer, who may perhaps be more attentive to the life of a work after its design and implementation. This book will interest all who have a professional interest in gardens, as well as the wide general audience for gardens and landscapes of past and present.

The definitive biography of the man who established architecture as a profession in the United States.