The firm of Delano & Aldrich occupied a central place in the United States in the first half of the twentieth century, substantially shaping the architectural climate of the period.

The first close look at an innovative architect and inventor who held that traditional styles could be successfully adapted for modern times. In the final decade of the nineteenth century and the early twentieth century, the United States experienced exponential growth and a flourishing economy, and with it, a building boom. Grosvenor Atterbury (1869–1956) produced more than one hundred major projects, including an array of grand mansions, picturesque estates, informal summer cottages, and farm groups. However, it was his role as town planner and civic leader and his work to create model tenements, hospitals, workers’ housing, and town plans for which he is most celebrated. His Forest Hills Gardens, designed in association with the Olmsted Brothers, is lauded as one of the most highly significant community planning projects of its time. As an inventor, Atterbury was responsible for one of the country’s first low-cost, prefabricated concrete construction systems, introducing beauty and inexpensive good design into the lives of the working classes. The Architecture of Grosvenor Atterbury is the first book to showcase the rich and varied repertoire of this prolific architect whose career spanned six decades and whose work affected the course of American architecture, planning, and construction. Illustrated with Jonathan Wallen’s stunning color photographs and over 250 historic drawings, plans, and photographs, it also includes a catalogue raisonné and an employee roster. It is the definitive source on an architect who made an indelible imprint on the American landscape.

This is the story of one man's adventures in acquiring and bringing back to life some of America's most enticing and historically significant dwellings. With the eye of a connoisseur, the business acumen derived from a legendary career in international finance, and a Jeffersonian grasp of classical architecture, Richard Hampton Jenrette reveals his charming, often risky, ventures in the world of old houses.

Blueprints, sketches, and exterior and interior photographs showcase the finest examples of 1930s country homes from 70 different architectural firms. A variety of styles are featured, from simple cottages to large estates.